0fq1590.bk2.II.ii.0 1fq1590.bk2.II.ii.argument.1 2fq1590.bk2.II.ii.argument.2 3fq1590.bk2.II.ii.argument.3 4fq1590.bk2.II.ii.argument.4 1fq1590.bk2.II.ii.1.1 2fq1590.bk2.II.ii.1.2 3fq1590.bk2.II.ii.1.3 4fq1590.bk2.II.ii.1.4 5fq1590.bk2.II.ii.1.5 6fq1590.bk2.II.ii.1.6 7fq1590.bk2.II.ii.1.7 8fq1590.bk2.II.ii.1.8 9fq1590.bk2.II.ii.1.9 1fq1590.bk2.II.ii.2.1 2fq1590.bk2.II.ii.2.2 3fq1590.bk2.II.ii.2.3 4fq1590.bk2.II.ii.2.4 5fq1590.bk2.II.ii.2.5 6fq1590.bk2.II.ii.2.6 7fq1590.bk2.II.ii.2.7 8fq1590.bk2.II.ii.2.8 9fq1590.bk2.II.ii.2.9 1fq1590.bk2.II.ii.3.1 2fq1590.bk2.II.ii.3.2 3fq1590.bk2.II.ii.3.3 4fq1590.bk2.II.ii.3.4 5fq1590.bk2.II.ii.3.5 6fq1590.bk2.II.ii.3.6 7fq1590.bk2.II.ii.3.7 8fq1590.bk2.II.ii.3.8 9fq1590.bk2.II.ii.3.9 1fq1590.bk2.II.ii.4.1 2fq1590.bk2.II.ii.4.2 3fq1590.bk2.II.ii.4.3 4fq1590.bk2.II.ii.4.4 5fq1590.bk2.II.ii.4.5 6fq1590.bk2.II.ii.4.6 7fq1590.bk2.II.ii.4.7 8fq1590.bk2.II.ii.4.8 9fq1590.bk2.II.ii.4.9 1fq1590.bk2.II.ii.5.1 2fq1590.bk2.II.ii.5.2 3fq1590.bk2.II.ii.5.3 4fq1590.bk2.II.ii.5.4 5fq1590.bk2.II.ii.5.5 6fq1590.bk2.II.ii.5.6 7fq1590.bk2.II.ii.5.7 8fq1590.bk2.II.ii.5.8 9fq1590.bk2.II.ii.5.9 1fq1590.bk2.II.ii.6.1 2fq1590.bk2.II.ii.6.2 3fq1590.bk2.II.ii.6.3 4fq1590.bk2.II.ii.6.4 5fq1590.bk2.II.ii.6.5 6fq1590.bk2.II.ii.6.6 7fq1590.bk2.II.ii.6.7 8fq1590.bk2.II.ii.6.8 9fq1590.bk2.II.ii.6.9 1fq1590.bk2.II.ii.7.1 2fq1590.bk2.II.ii.7.2 3fq1590.bk2.II.ii.7.3 4fq1590.bk2.II.ii.7.4 5fq1590.bk2.II.ii.7.5 6fq1590.bk2.II.ii.7.6 7fq1590.bk2.II.ii.7.7 8fq1590.bk2.II.ii.7.8 9fq1590.bk2.II.ii.7.9 1fq1590.bk2.II.ii.8.1 2fq1590.bk2.II.ii.8.2 3fq1590.bk2.II.ii.8.3 4fq1590.bk2.II.ii.8.4 5fq1590.bk2.II.ii.8.5 6fq1590.bk2.II.ii.8.6 7fq1590.bk2.II.ii.8.7 8fq1590.bk2.II.ii.8.8 9fq1590.bk2.II.ii.8.9 1fq1590.bk2.II.ii.9.1 2fq1590.bk2.II.ii.9.2 3fq1590.bk2.II.ii.9.3 4fq1590.bk2.II.ii.9.4 5fq1590.bk2.II.ii.9.5 6fq1590.bk2.II.ii.9.6 7fq1590.bk2.II.ii.9.7 8fq1590.bk2.II.ii.9.8 9fq1590.bk2.II.ii.9.9 1fq1590.bk2.II.ii.10.1 2fq1590.bk2.II.ii.10.2 3fq1590.bk2.II.ii.10.3 4fq1590.bk2.II.ii.10.4 5fq1590.bk2.II.ii.10.5 6fq1590.bk2.II.ii.10.6 7fq1590.bk2.II.ii.10.7 8fq1590.bk2.II.ii.10.8 9fq1590.bk2.II.ii.10.9 1fq1590.bk2.II.ii.11.1 2fq1590.bk2.II.ii.11.2 3fq1590.bk2.II.ii.11.3 4fq1590.bk2.II.ii.11.4 5fq1590.bk2.II.ii.11.5 6fq1590.bk2.II.ii.11.6 7fq1590.bk2.II.ii.11.7 8fq1590.bk2.II.ii.11.8 9fq1590.bk2.II.ii.11.9 1fq1590.bk2.II.ii.12.1 2fq1590.bk2.II.ii.12.2 3fq1590.bk2.II.ii.12.3 4fq1590.bk2.II.ii.12.4 5fq1590.bk2.II.ii.12.5 6fq1590.bk2.II.ii.12.6 7fq1590.bk2.II.ii.12.7 8fq1590.bk2.II.ii.12.8 9fq1590.bk2.II.ii.12.9 1fq1590.bk2.II.ii.13.1 2fq1590.bk2.II.ii.13.2 3fq1590.bk2.II.ii.13.3 4fq1590.bk2.II.ii.13.4 5fq1590.bk2.II.ii.13.5 6fq1590.bk2.II.ii.13.6 7fq1590.bk2.II.ii.13.7 8fq1590.bk2.II.ii.13.8 9fq1590.bk2.II.ii.13.9 1fq1590.bk2.II.ii.14.1 2fq1590.bk2.II.ii.14.2 3fq1590.bk2.II.ii.14.3 4fq1590.bk2.II.ii.14.4 5fq1590.bk2.II.ii.14.5 6fq1590.bk2.II.ii.14.6 7fq1590.bk2.II.ii.14.7 8fq1590.bk2.II.ii.14.8 9fq1590.bk2.II.ii.14.9 1fq1590.bk2.II.ii.15.1 2fq1590.bk2.II.ii.15.2 3fq1590.bk2.II.ii.15.3 4fq1590.bk2.II.ii.15.4 5fq1590.bk2.II.ii.15.5 6fq1590.bk2.II.ii.15.6 7fq1590.bk2.II.ii.15.7 8fq1590.bk2.II.ii.15.8 9fq1590.bk2.II.ii.15.9 1fq1590.bk2.II.ii.16.1 2fq1590.bk2.II.ii.16.2 3fq1590.bk2.II.ii.16.3 4fq1590.bk2.II.ii.16.4 5fq1590.bk2.II.ii.16.5 6fq1590.bk2.II.ii.16.6 7fq1590.bk2.II.ii.16.7 8fq1590.bk2.II.ii.16.8 9fq1590.bk2.II.ii.16.9 1fq1590.bk2.II.ii.17.1 2fq1590.bk2.II.ii.17.2 3fq1590.bk2.II.ii.17.3 4fq1590.bk2.II.ii.17.4 5fq1590.bk2.II.ii.17.5 6fq1590.bk2.II.ii.17.6 7fq1590.bk2.II.ii.17.7 8fq1590.bk2.II.ii.17.8 9fq1590.bk2.II.ii.17.9 1fq1590.bk2.II.ii.18.1 2fq1590.bk2.II.ii.18.2 3fq1590.bk2.II.ii.18.3 4fq1590.bk2.II.ii.18.4 5fq1590.bk2.II.ii.18.5 6fq1590.bk2.II.ii.18.6 7fq1590.bk2.II.ii.18.7 8fq1590.bk2.II.ii.18.8 9fq1590.bk2.II.ii.18.9 1fq1590.bk2.II.ii.19.1 2fq1590.bk2.II.ii.19.2 3fq1590.bk2.II.ii.19.3 4fq1590.bk2.II.ii.19.4 5fq1590.bk2.II.ii.19.5 6fq1590.bk2.II.ii.19.6 7fq1590.bk2.II.ii.19.7 8fq1590.bk2.II.ii.19.8 9fq1590.bk2.II.ii.19.9 1fq1590.bk2.II.ii.20.1 2fq1590.bk2.II.ii.20.2 3fq1590.bk2.II.ii.20.3 4fq1590.bk2.II.ii.20.4 5fq1590.bk2.II.ii.20.5 6fq1590.bk2.II.ii.20.6 7fq1590.bk2.II.ii.20.7 8fq1590.bk2.II.ii.20.8 9fq1590.bk2.II.ii.20.9 1fq1590.bk2.II.ii.21.1 2fq1590.bk2.II.ii.21.2 3fq1590.bk2.II.ii.21.3 4fq1590.bk2.II.ii.21.4 5fq1590.bk2.II.ii.21.5 6fq1590.bk2.II.ii.21.6 7fq1590.bk2.II.ii.21.7 8fq1590.bk2.II.ii.21.8 9fq1590.bk2.II.ii.21.9 1fq1590.bk2.II.ii.22.1 2fq1590.bk2.II.ii.22.2 3fq1590.bk2.II.ii.22.3 4fq1590.bk2.II.ii.22.4 5fq1590.bk2.II.ii.22.5 6fq1590.bk2.II.ii.22.6 7fq1590.bk2.II.ii.22.7 8fq1590.bk2.II.ii.22.8 9fq1590.bk2.II.ii.22.9 1fq1590.bk2.II.ii.23.1 2fq1590.bk2.II.ii.23.2 3fq1590.bk2.II.ii.23.3 4fq1590.bk2.II.ii.23.4 5fq1590.bk2.II.ii.23.5 6fq1590.bk2.II.ii.23.6 7fq1590.bk2.II.ii.23.7 8fq1590.bk2.II.ii.23.8 9fq1590.bk2.II.ii.23.9 1fq1590.bk2.II.ii.24.1 2fq1590.bk2.II.ii.24.2 3fq1590.bk2.II.ii.24.3 4fq1590.bk2.II.ii.24.4 5fq1590.bk2.II.ii.24.5 6fq1590.bk2.II.ii.24.6 7fq1590.bk2.II.ii.24.7 8fq1590.bk2.II.ii.24.8 9fq1590.bk2.II.ii.24.9 1fq1590.bk2.II.ii.25.1 2fq1590.bk2.II.ii.25.2 3fq1590.bk2.II.ii.25.3 4fq1590.bk2.II.ii.25.4 5fq1590.bk2.II.ii.25.5 6fq1590.bk2.II.ii.25.6 7fq1590.bk2.II.ii.25.7 8fq1590.bk2.II.ii.25.8 9fq1590.bk2.II.ii.25.9 1fq1590.bk2.II.ii.26.1 2fq1590.bk2.II.ii.26.2 3fq1590.bk2.II.ii.26.3 4fq1590.bk2.II.ii.26.4 5fq1590.bk2.II.ii.26.5 6fq1590.bk2.II.ii.26.6 7fq1590.bk2.II.ii.26.7 8fq1590.bk2.II.ii.26.8 9fq1590.bk2.II.ii.26.9 1fq1590.bk2.II.ii.27.1 2fq1590.bk2.II.ii.27.2 3fq1590.bk2.II.ii.27.3 4fq1590.bk2.II.ii.27.4 5fq1590.bk2.II.ii.27.5 6fq1590.bk2.II.ii.27.6 7fq1590.bk2.II.ii.27.7 8fq1590.bk2.II.ii.27.8 9fq1590.bk2.II.ii.27.9 1fq1590.bk2.II.ii.28.1 2fq1590.bk2.II.ii.28.2 3fq1590.bk2.II.ii.28.3 4fq1590.bk2.II.ii.28.4 5fq1590.bk2.II.ii.28.5 6fq1590.bk2.II.ii.28.6 7fq1590.bk2.II.ii.28.7 8fq1590.bk2.II.ii.28.8 9fq1590.bk2.II.ii.28.9 1fq1590.bk2.II.ii.29.1 2fq1590.bk2.II.ii.29.2 3fq1590.bk2.II.ii.29.3 4fq1590.bk2.II.ii.29.4 5fq1590.bk2.II.ii.29.5 6fq1590.bk2.II.ii.29.6 7fq1590.bk2.II.ii.29.7 8fq1590.bk2.II.ii.29.8 9fq1590.bk2.II.ii.29.9 1fq1590.bk2.II.ii.30.1 2fq1590.bk2.II.ii.30.2 3fq1590.bk2.II.ii.30.3 4fq1590.bk2.II.ii.30.4 5fq1590.bk2.II.ii.30.5 6fq1590.bk2.II.ii.30.6 7fq1590.bk2.II.ii.30.7 8fq1590.bk2.II.ii.30.8 9fq1590.bk2.II.ii.30.9 1fq1590.bk2.II.ii.31.1 2fq1590.bk2.II.ii.31.2 3fq1590.bk2.II.ii.31.3 4fq1590.bk2.II.ii.31.4 5fq1590.bk2.II.ii.31.5 6fq1590.bk2.II.ii.31.6 7fq1590.bk2.II.ii.31.7 8fq1590.bk2.II.ii.31.8 9fq1590.bk2.II.ii.31.9 1fq1590.bk2.II.ii.32.1 2fq1590.bk2.II.ii.32.2 3fq1590.bk2.II.ii.32.3 4fq1590.bk2.II.ii.32.4 5fq1590.bk2.II.ii.32.5 6fq1590.bk2.II.ii.32.6 7fq1590.bk2.II.ii.32.7 8fq1590.bk2.II.ii.32.8 9fq1590.bk2.II.ii.32.9 1fq1590.bk2.II.ii.33.1 2fq1590.bk2.II.ii.33.2 3fq1590.bk2.II.ii.33.3 4fq1590.bk2.II.ii.33.4 5fq1590.bk2.II.ii.33.5 6fq1590.bk2.II.ii.33.6 7fq1590.bk2.II.ii.33.7 8fq1590.bk2.II.ii.33.8 9fq1590.bk2.II.ii.33.9 1fq1590.bk2.II.ii.34.1 2fq1590.bk2.II.ii.34.2 3fq1590.bk2.II.ii.34.3 4fq1590.bk2.II.ii.34.4 5fq1590.bk2.II.ii.34.5 6fq1590.bk2.II.ii.34.6 7fq1590.bk2.II.ii.34.7 8fq1590.bk2.II.ii.34.8 9fq1590.bk2.II.ii.34.9 1fq1590.bk2.II.ii.35.1 2fq1590.bk2.II.ii.35.2 3fq1590.bk2.II.ii.35.3 4fq1590.bk2.II.ii.35.4 5fq1590.bk2.II.ii.35.5 6fq1590.bk2.II.ii.35.6 7fq1590.bk2.II.ii.35.7 8fq1590.bk2.II.ii.35.8 9fq1590.bk2.II.ii.35.9 1fq1590.bk2.II.ii.36.1 2fq1590.bk2.II.ii.36.2 3fq1590.bk2.II.ii.36.3 4fq1590.bk2.II.ii.36.4 5fq1590.bk2.II.ii.36.5 6fq1590.bk2.II.ii.36.6 7fq1590.bk2.II.ii.36.7 8fq1590.bk2.II.ii.36.8 9fq1590.bk2.II.ii.36.9 1fq1590.bk2.II.ii.37.1 2fq1590.bk2.II.ii.37.2 3fq1590.bk2.II.ii.37.3 4fq1590.bk2.II.ii.37.4 5fq1590.bk2.II.ii.37.5 6fq1590.bk2.II.ii.37.6 7fq1590.bk2.II.ii.37.7 8fq1590.bk2.II.ii.37.8 9fq1590.bk2.II.ii.37.9 1fq1590.bk2.II.ii.38.1 2fq1590.bk2.II.ii.38.2 3fq1590.bk2.II.ii.38.3 4fq1590.bk2.II.ii.38.4 5fq1590.bk2.II.ii.38.5 6fq1590.bk2.II.ii.38.6 7fq1590.bk2.II.ii.38.7 8fq1590.bk2.II.ii.38.8 9fq1590.bk2.II.ii.38.9 1fq1590.bk2.II.ii.39.1 2fq1590.bk2.II.ii.39.2 3fq1590.bk2.II.ii.39.3 4fq1590.bk2.II.ii.39.4 5fq1590.bk2.II.ii.39.5 6fq1590.bk2.II.ii.39.6 7fq1590.bk2.II.ii.39.7 8fq1590.bk2.II.ii.39.8 9fq1590.bk2.II.ii.39.9 1fq1590.bk2.II.ii.40.1 2fq1590.bk2.II.ii.40.2 3fq1590.bk2.II.ii.40.3 4fq1590.bk2.II.ii.40.4 5fq1590.bk2.II.ii.40.5 6fq1590.bk2.II.ii.40.6 7fq1590.bk2.II.ii.40.7 8fq1590.bk2.II.ii.40.8 9fq1590.bk2.II.ii.40.9 1fq1590.bk2.II.ii.41.1 2fq1590.bk2.II.ii.41.2 3fq1590.bk2.II.ii.41.3 4fq1590.bk2.II.ii.41.4 5fq1590.bk2.II.ii.41.5 6fq1590.bk2.II.ii.41.6 7fq1590.bk2.II.ii.41.7 8fq1590.bk2.II.ii.41.8 9fq1590.bk2.II.ii.41.9 1fq1590.bk2.II.ii.42.1 2fq1590.bk2.II.ii.42.2 3fq1590.bk2.II.ii.42.3 4fq1590.bk2.II.ii.42.4 5fq1590.bk2.II.ii.42.5 6fq1590.bk2.II.ii.42.6 7fq1590.bk2.II.ii.42.7 8fq1590.bk2.II.ii.42.8 9fq1590.bk2.II.ii.42.9 1fq1590.bk2.II.ii.43.1 2fq1590.bk2.II.ii.43.2 3fq1590.bk2.II.ii.43.3 4fq1590.bk2.II.ii.43.4 5fq1590.bk2.II.ii.43.5 6fq1590.bk2.II.ii.43.6 7fq1590.bk2.II.ii.43.7 8fq1590.bk2.II.ii.43.8 9fq1590.bk2.II.ii.43.9 1fq1590.bk2.II.ii.44.1 2fq1590.bk2.II.ii.44.2 3fq1590.bk2.II.ii.44.3 4fq1590.bk2.II.ii.44.4 5fq1590.bk2.II.ii.44.5 6fq1590.bk2.II.ii.44.6 7fq1590.bk2.II.ii.44.7 8fq1590.bk2.II.ii.44.8 9fq1590.bk2.II.ii.44.9 1fq1590.bk2.II.ii.45.1 2fq1590.bk2.II.ii.45.2 3fq1590.bk2.II.ii.45.3 4fq1590.bk2.II.ii.45.4 5fq1590.bk2.II.ii.45.5 6fq1590.bk2.II.ii.45.6 7fq1590.bk2.II.ii.45.7 8fq1590.bk2.II.ii.45.8 9fq1590.bk2.II.ii.45.9 1fq1590.bk2.II.ii.46.1 2fq1590.bk2.II.ii.46.2 3fq1590.bk2.II.ii.46.3 4fq1590.bk2.II.ii.46.4 5fq1590.bk2.II.ii.46.5 6fq1590.bk2.II.ii.46.6 7fq1590.bk2.II.ii.46.7 8fq1590.bk2.II.ii.46.8 9fq1590.bk2.II.ii.46.9
Cant II.
Babes bloody handes may not be clensd,
the face of golden Meane.
Her sisters two Extremities:
striuestrive her to banish cleane.
[1]
THhus when Sir GuyonGuyon with his faithful guyde
Had with dew rites and dolorous lament
The end of their sad Tragedie vptydeuptyde,
The litle babe vpup in his armes he hent;
Who with sweet pleasaunce and bold blandishment
Gan smyle on them, that rather ought to weepe,
As carelesse of his woe, or innocent
Of that was doen, that ruth emperced deepe
In that knightes hart, and wordes with bitter teares did steepe.
[2]
Ah lucklesse babe, borne vnderunder cruell starre,
And in dead parents balefull ashes bred,
Full little weenest thou, what sorrowes are
Left thee for porcion of thy liuelyhedlivelyhed,
Poore Orphane in the wide world scattered,
As budding braunch rent from the natiuenative tree,
And throwen forth, till it be withered:
Such is the state of men: Thus enter we
Into this life with woe and end with miseree.
[3]
Then soft him selfe inclyning on his knee
Downe to that well, did in the water weene
(So louelove does loath disdainefull niciteenicitee.)
His guiltie handes from bloody gore to cleene;
He washt them oft and oft, yet nought they beene
For all his washing cleaner. Still he strouestrove,
Yet still the litle hands were bloody seene;
The which him into great amaz’ment drouedrove,
And into diuersediverse doubt his waueringwavering wonder cloueclove.
[4]
He wist not whether blott of fowle offence
Might not be purgd with water nor with bath;
Or that high God, in lieu of innocence,
Imprinted had that token of his wrath,
To shew how sore bloodguiltinesse he hat’thhat’hhat’th;
Or that the charme and veneme, which they dronck,
Their blood with secret filth infected hath,
Being diffused through the sencelesse tronck,
That through the great contagion direful deadly stonck. ſtonck,stonck, ſtunck.stunck. ſtunk.stunk.
[5]
Whom thus at gaze, the Palmer gan to bord
With goodly reason, and thus fayre bespake;
Ye bene right harthard amated, gratious Lord,
And of your ignorance great merueillmerveill make,
Whiles cause not well conceiuedconceived ye mistake.
But know, that secret vertues are infusd
In eueryevery fountaine, and in euerieeverie lake,
Which who hath skill them rightly to hauehave chusd,
To proofe of passing wonders hath full often vsdusd.
[6]
Of those some were so from their sourse indewd
By great Dame Nature, from whose fruitfull pap
Their welheads spring, and are with moisture deawd;
Which feedes each liuingliving plant with liquid sap,
And filles with flowres fayre Floraes painted lap:
But other some by guifte of later grace,
Or by good prayers, or by other hap,
Had vertue pourd into their waters bace,
And thenceforth were renowmd, and sought from place to place.place place.
[7]
Such is this well, wrought by occasion straunge,
Which to her Nymph befell. VponUpon a day,
As she the woodes with bow and shaftes did raunge,
The hartlesse Hynd and Robucke to dismay,
Dan Faunus chaunst to meet her by the way,
And kindling fire at her faire burning eye,
Inflamed was to follow beauties chace,
And chaced her, that fast from him did fly;
As Hynd from her, so she fled from her enimy.
[8]
At last when fayling breath began to faint,
And saw no meanes to scape, of shame affrayd,
She set her downe to weepe for sore constraint,
And to Diana calling lowd for ayde,
Her deare besought, to let her die a mayd.
The goddesse heard, and suddeine where she sate,
Welling out streames of teares, and quite dismayd
With stony feare of that rude rustick mate,
Transformd her to a stone from stedfast virgins state.
[9]
Lo now she is that stone, from whoſewhose thoſethose two heads,
As from two weeping eyes, fresh streames do flow,
Yet colde through feare, and old conceiuedconceived dreads;
And yet the stone her semblance seemes to show,
Shapt like a maide, that such ye may her know;
And yet her vertues in her water byde:
For it is chaste and pure, as purest snow,
Ne lets her waueswaves with any filth behe dyde,
But euerever like her selfe vnstaynedunstayned hath beene tryde.
[10]
From thence it comes, that this babes bloody hand
May not be clensd with water of this well:
Ne certes Sir striuestrive you it to withstand,
But let them still be bloody, as befell,
That they his mothers innocence may tell,
As she bequeathd in her last testament;
That as a sacred Symbole it may dwell
In her sonnes flesh, to mind reuengementrevengement,
And be for all chaste Dames an endlesse moniment.
[11]
He hearkned to his reason, and the childe
VptakingUptaking, to the Palmer gauegave to beare;
But his sad fathers armes with blood defilde,
An heauieheavie load himselfe did lightly reare,
And turning to that place, in which whyleare
He left his loftie steed with golden sell,
And goodly gorgeous barbes, him found not theare.
By other accident that earst befell,
He is conuaideconvaide, but how or where, here fits not tell.
[12]
Which when Sir Guyon saw, all were he wroth,
Yet algates mote he soft himselfe appease,
And fairely fare on foot, how euerever loth;
His double burden did him sore disease.
So long they traueiledtraveiled with litle ease,
Till that at last they to a Castle came,
Built on a rocke adioyningadjoyning to the seas,
It was an auncient worke of antique fameantique frame,
And wondrous strong by nature, and by skilfull frame.
[13]
Therein three sisters dwelt of sundry sort,
The children of one syre by mothers three;
Who dying whylome did diuidedivide this fort
To them by equall shares in equall fee:
But stryfull mind, and diuersediverse qualitee
Drew them in partes, and each made others foe:
Still did they striuestrive, and daily disagree;
The eldest did against the youngest goe,
And both against the middest meant to worken woe.
[14]
Where when the knight arriu’darriv’d, he was right well
Receiu’dReceiv’d, as knight of so much worth became,
Of second sister, who did far excell
The other two; Medina was her name,
A sober sad, and comely courteous Dame;
Who rich arayd, and yet in modest guize,
In goodly garments, that her well became,
Fayre marching forth in honorable wize,
Him at the threshold mett, and well did enterprize.
[15]
She led him vpup into a goodly bowre,
And comely courted with meet modestie,
Ne in her speach, ne in her hauiourhaviour,
Was lightnesse seene, or looser vanitie,
But gratious womanhood, and grauitiegravitie,
AboueAbove the reason of her youthly yeares:
Her golden lockes she roundly did vptyeuptye
In breaded tramels, that no looser heares
Did out of order stray about her daintie eares.
[16]
Whilest she her selfe thus busily did frame,
Seemely to entertaine her new-come guest,
Newes hereof to her other sisters came,
Who all this while were at their wanton rest,
Accourting each her frend with lauishlavish fest:
They were two knights of perelesse puissaunce,
And famous far abroad for warlike gest,
Which to these Ladies louelove did countenaunce,
And to his mistresse each himselfe strouestrove to aduaunceadvaunce.
[17]
He that made louelove vntounto the eldest Dame,
Was hight Sir Huddibras, an hardy man;
Yet not so good of deedes, as great of name,
Which he by many rash aduenturesadventures wan,
Since errant armes to sew he first began;
More huge in strength, 1590.bk2.II.ii.17.6. then: thanthenthan wise in workes he was,
And reason with foole-hardize ouerover ran;
Sterne melancholy did his courage pas,
And was for terrour more, all armd in shyning bras.
[18]
But he that lou’dlov’d the youngest, was Sansloy,
He that faire VnaUna late fowle outraged,
The most vnrulyunruly, and the boldest boy,
That euerever warlike weapons menaged,
And to all lawlesse lust encouraged,
Through strong opinion of his matchlesse might:
Ne ought he car’d, whom he endamaged
By tortious wrong, or whom bereau’dbereav’d of right.
He now this Ladies Champion chose for louelove to fight.
[19]
These two gay knights, vowd to so diuersediverse louesloves,
Each other does envy with deadly hate,
And daily warre against his foeman mouesmoves,
In hope to win more fauourfavour with his mate,
And th’others pleasing seruiceservice to abate,
To magnifie his owne. But when they heard,
How in that place straunge knight arriuedarrived late,
Both knightes and ladies forth right angry far’d,
And fercely vntounto battell sterne themseluesthemselves prepar’d.
[20]
But ere they could proceede vntounto the place,
Where he abode, themseluesthemselves at discord fell,
And cruell combat ioyndjoynd in middle space:
With horrible assault, and fury fell,
They heapt huge strokes, the scorned life to quell,
That all on vproreuprore from her settled seat,
The house was raysd, and all that in did dwell;
Seemd that lowde thunder with amazement great
Did rend the ratling skyes with flames of fouldring heat.
[21]
The noyse thereof caldcalth forth that straunger knight,
To weet, what dreadfull thing was there in hand;
Where when as two brauebrave knightes in bloody fight
With deadly rancour he enraunged fond,
His sunbroad shield about his wrest he bond,
And shyning blade vnsheathdunsheathd, with which he ran
VntoUnto that stead, their strife to vnderstondunderstond;
And at his first arriuallarrivall, them began
With goodly meanes to pacifie, well as he can.
[22]
But they him spying, both with greedy forse
Attonce vponupon him ran, and him beset
With strokes of mortall steele without remorse,
And on his shield like yron sledges bet:
As when a Beare and Tygre being met
In cruell fight on lybicke Ocean wide,
Espye a traueilertraveiler with feet surbet,
Whom they in equall pray hope to diuidedivide,
They stint their strife, and him assayle on euerieeverie side.
[23]
But he, not like a weary traueileretraveilere,
Their sharp assault right boldlybloudyboldy did rebut,
And suffred not their blowes to byte him nere,
But with redoubled buffes them backe did put:
Whose grieuedgrieved mindes, which choler did englut,
Against themseluesthemselves turning their wrathfull spight,
Gan with new rage their shieldes to hew and cut;
But still when Guyon came to part their fight,
With heauieheavie load on him they freshly gan to smight.
[24]
As a tall ship tossed in troublous seas,
Whom raging windes threatning to make the pray
Of the rough rockes, doe diuerslydiversly disease,
Meetes two contrarie billowes by the way,
That her on either side doe sore assay,
And boast to swallow her in greedy grauegrave;
Shee scorning both their spights, does make wide way,
And with her brest breaking the fomy wauewave,
Does ride on both their backs, &and faire her self doth sauesave.
[25]
So boldly he him beares, and rusheth forth
Betweene them both, by conduct of his blade.
Wondrous great prowesse and heroick worth
He shewd that day, and rare ensample made,
When two so mighty warriours he dismade:
Attonce he wards and strikes, he takes and paies,
Now forst to yield, now forcing to inuadeinvade,
Before, behind, and round about him laies:
So double was his paines, so double be his praise.
[26]
Straunge sort of fight, three valiaunt knights to see
Three combates ioinejoine in one, and to darraine
A triple warre with triple enmitee,
All for their Ladies froward louelove to gaine,
Which gotten was but hate. So louelove does raine
In stoutest minds, and maketh monstrous warre;
He maketh warre, he maketh peace againe,
And yett his peace is but continuall iarrejarre:
O miserable men, that to him subiectsubject arre.
[27]
Whilst thus they mingled were in furious armes,
The faire Medina with her tresses torne,
And naked brest, in pitty of their harmes,
Emongst them ran, and falling them beforne,
Besought them by the womb, which them had born,
And by the louesloves, which were to them most deare,
And by the knighthood, which they sure had sworn,
Their deadly cruell discord to forbeare,
And to her iustjust conditions of faire peace to heare.
[28]
But her two other sisters standing by,
Her lowd gainsaid, and both theirboth her championschampionChampion bad
Pursew the end of their strong enmity,
As euerever of their louesloves they would be glad.
Yet she with pitthy words and counsell sad,
Still strouestrove their stubborne rages to reuokerevoke,
That at the last suppressing fury mad,
They gan abstaine from dint of direfull stroke,
And hearken to the sober speaches, which she spoke.
[29]
Ah puissaunt Lords, what cursed euillevill Spright,
Or fell Erinnys in your noble harts,
Her hellish brond hath kindled with despight,
And stird you vpup to worke your wilfull smarts?
Is this the ioyjoy of armes? be these the parts
Of glorious knighthood, after blood to thrust,
And not regard dew right and iustjust desarts?
Vaine is the vaunt, and victory vniustunjust,
That more to mighty hãdshands, 1590.bk2.II.ii.29.9. thẽ: than1590.bk2.II.ii.29.9. then: thanthẽthenthãthan rightful cause doth trust.
[30]
And were 1590.bk2.II.ii.30.1. their: theretheirthere rightfull cause of difference,
Yet were not better, fayre it to accord,
Then with bloodguiltnesse to heape offence,
And mortal vengeaunce ioynejoyne to crime abhord?
O fly from wrath, fly, O my liefest Lord:
Sad be the sights, and bitter fruites of warre,
And thousand furies wait on wrathfull sword;
Ne ought the praise of prowesse more doth marre,
1590.bk2.II.ii.30.9. Then: ThanThenThan fowle reuengingrevenging rage, and base contentious iarrejarre.
[31]
But louelylovely concord, and most sacred peace
Doth nourish vertue, and fast friendship breeds;
Weake she makesmake strõgstrong, &and strong thing does increace,
Till it the pitch of highest praise exceeds:
BraueBrave be her warres, and honorable deeds,
By which she triumphes ouerover yre and pride,
And winnes an OliueOlive girlond for her meeds:
Be therefore, O my deare Lords, pacifide,
And this misseeming discord meekely lay aside.
[32]
Her gracious words their rancour did appall,
And suncke so deepe into their boyling brests,
That downe they lett their cruell weapons fall,
And lowly did abase their lofty crests
To her faire presence, and discrete behests.
Then she began a treaty to procure,
And stablish termes betwixt both their requests,
That as a law for euerever should endure;
Which to obserueobserve in word of knights they did assure.
[33]
Which to confirme, and fast to bind their league,
After their weary sweat and bloody toile,
She them besought, during their quiet treague,
Into her lodging to repaire a while,
To rest themseluesthemselves, and grace to reconcile.
They soone consent: so forth with her they fare,
Where they are well receiudreceivd, and made to spoile
ThemseluesThemselves of soiled armes, and to prepare
Their minds to pleasure, &and their mouths to dainty fare.
[34]
And those two froward sisters, their faire louesloves
Came with them eke, all were they wondrous loth,
And fained cheare, as for the time behouesbehoves,
But could not colour yet so well the troth,
But that their natures bad appeard in both:
For both did at their second sister grutch,
And inly grieuegrieve, as doth an hidden moth
The inner garment frett, not th’vtterutter touch;
One thought her cheare too litle, th’other thought too mutch.
[35]
Elissa (so the eldest hight) did deeme
Such entertainment base, ne ought would eat,
Ne ought would speake, but euermoreevermore did seeme
As discontent for want of merthmirth or meat;
No solace could her Paramour intreat
Her once to show, ne court, nor dalliaunce,
But with bent lowring browes, as she would threat,
She scould, and frownd with froward countenaunce,
VnworthyUnworthy of faire Ladies comely gouernauncegovernaunce.
[36]
But young Perissa was of other mynd,
Full of disport, still laughing, loosely light,
And quite contrary to her sisters kynd;
No measure in her mood, no rule of right,
But poured out in pleasure and delight;
In wine and meats she flowd aboueabove the banck,
And in excesse exceeded her owne might;
In sumptuous tire she ioydjoyd her selfe to pranck,
But of her louelove too lauishlavish (litle hauehave she thanck).thank.)thanke.)thanck.)
[37]
FaſtFast FirſtFirst by her side did sitt the bold Sansloy,
Fitt mate for such a mincing mineon,
Who in her loosenesse tooke exceeding ioyjoy;
Might not be found a francker franion,
Of her leawd parts to make companion:
But Huddibras, more like a Malecontent,
Did see and grieuegrieve at his bold fashion;
Hardly could he endure his hardiment,
Yett still he satt, and inly did him selfe torment.
[38]
Betwixt them both the faire Medina sate
With sober grace, and goodly carriage:
With equall measure she did moderate
The strong extremities of their outrage,
That forward paire she euerever would asswage,
When they would striuestrive dew reason to exceed;
But that same froward twaine would accorage,
And of her plenty adde vntounto their need:
So kept she them in order, and her selfe in heed.
[39]
Thus fairely shee attempered her feast,
And pleasd them all with meete satiety:
At last when lust of meat and drinke was ceast,
She Guyon deare besought of curtesie,
To tell from whence he came through ieopardyjeopardy,
And whether now on new aduentureadventure bownd.
Who with bold grace, and comely grauitygravity,
Drawing to him the eies of all arownd,
From lofty siege began these words aloud to sownd.
[40]
This thy demaund, O Lady, doth reuiuerevive
Fresh memory in me of that great Queene,
Great and most glorious virgin Queene aliuealive,
That with her souerainesoveraine powre, and scepter shene
All Faery lond does peaceablypeaceablee sustene.
In widest Ocean she her throne does reare,
That ouerover all the earth it may be seene;
As morning Sunne her beames dispredden cleare,
And in her face faire peace, and mercy doth appeare.
[41]
In her the richesse of all heauenlyheavenly grace,
In chiefe degree are heaped vpup on hye:
And all that els this worlds enclosure bace,
Hath great or glorious in mortall eye.
Adornes the person of her MaiestyeMajestye;
That men beholding so great excellence,
And rare perfection in mortalitye,
Doe her adore with sacred reuerencereverence,
As th’Idole of her makers great magnificence.
[42]
To her I homage and my seruiceservice owe,
In number of the noblest knightes on ground,
Mongst whom on me she deigned to bestowe
Order of Maydenhead, the most renownd,
That may this day in all the world be found,
An yearely solemne feast she wontes to make
The day that first doth lead the yeare around;
To which all knights of worth and courage bold
Resort, to heare of straunge aduenturesadventures to be told.
[43]
There this old Palmer shewd himselfe that day,
And to that mighty Princesse did complaine
Of grieuousgrievous mischiefes, which a wicked Fay
Had wrought, and many whelmd in deadly paine,
Whereof he crau’dcrav’d redresse. My SoueraineSoveraine,
Whose glory is in gracious deeds, and ioyesjoyes
Throughout the world her mercy to maintaine,
Eftsoones deuisddevisd redresse for such annoyes;
Me all vnfittunfitt for so great purpose she employes.employes,
[44]
Now hath faire Phebe with her siluersilver face
Thrise seene the shadowes of the neather world,
Sith last I left that honorable place,
In which her roiall presence is entroldintrold;
Ne euerever shall I rest in house nor hold,
Till I that false Acrasia haue have wonne;
Of whose fowle deedes, too hideous to bee told
I witnesse am, and this their wretched sonne,
Whose wofull parents she hath wickedly fordonne.fordonne,
[45]
Tell on, fayre Sir, said she, that dolefull tale,
From which sad ruth does seeme you to restraine,
That we may pitty such vnhappieunhappie bale,
And learne from pleasures poyson to abstaine:
Ill by ensample good doth often gayne.
Then forward he his purpose gan pursew,
And told the story of the mortall payne,
Which Mordant and AmauiaAmavia did rew;
As with lamenting eyes him selfe did lately vew.
[46]
Night was far spent, and now in Ocean deep
Orion, flying fast from hissing snake,
His flaming head did hasten for to steep,
When of his pitteous tale he end did make;
WhilſtWhilst WhileſtWhilest with delight of that he wisely spake,
Those guestes beguyled, did beguyle their eyes
Of kindly sleepe, that did them ouertakeovertake.
At last when they had markt the chaunged skyes,
They wist their houre was spẽtspent; thẽthen each to rest him hyes.hies.hyes
4. cleane: completely
5. blandishment: alluring behavior
7. innocent: ignorant
4. liuelyhed: inheritance
9. diuerse: leading in different directions
3. in lieu of: in place of
1. at gaze: bewildered
1. to bord: to address
6. vertues: powers
1. indewd: invested
4. hartlesse Hynd: timid doe
4. Robucke: the male of a species of deer found in Europe and Asia
6. vertues: moral qualities; natural properties
9. tryde: proven
9. moniment: warning or memorial
6. sell: saddle
7. barbes: protective coverings for the chest and flanks of a war-horse
4. double burden: his own armor and that of Mordant
6. Drew them in partes: divided them into factions
9. enterprize: take in hand
2. courted: paid courteous attention to
1. her selfe . . . did frame: directed her efforts and actions
8. countenaunce: make a show of or pretend
9. fouldring: flashing
4. enraunged: arranged in an orderly fashion
6. lybicke: Lybian
7. surbet: footsore, bruised
2. conduct: handling
2. darraine: engage in (combat)
8. iarre: strife
2. bad: past tense of ‘bid’ (command)
3. Pursew the end of: not put a stop to, but fight to the finish of
6. reuoke: restrain, hold in check; or call back (to a state of reason)
2. fell: ferocious
5. parts: attributes
6. thrust: stab
5. liefest: dearest
9. iarre: strife
7. meeds: rewards
1. appall: subdue
4. abase: bow
7. requests: petitions
3. treague: truce
5. grace to reconcile: to restore good feeling or mutual regard
1. froward: stubborn, perverse
2. all were they: although they were
6. grutch: grouch or grudge
8. frett: consume
8. th’ vtter: the outermost
9. cheare: hospitality
5. solace: enjoyment
8. froward: hostile
9. gouernaunce: conduct
2. light: frivolous; also, wanton or unchaste
7. exceeded her owne might: outdid herself
8. tire: attire
8. pranck: adorn
2. mineon: companion kept for sexual favors
4. francker franion: less restrained paramour
5. parts: qualities
8. hardiment: boldness
4. extremities: points of utmost intensity
4. outrage: extravagance
7. accorage: hearten
9. kept . . . her selfe in heed: kept watch over herself
1. attempered: harmonized
9. lofty siege: place of honor
4. shene: bright
5. sustene: sustain
9. Idole: image
3. bale: suffering
9. wist: knew
1.1.Guyon] 1596, 1609; Guyon1590;
3.3.nicitee] 1596, 1609; nicitee.1590;
4.5.hat’th] state 2; hat’h state 1; hat’th1596, 1609;
4.9.stonck.] this edn.; ſtonck,stonck, 1590; ſtunck.stunck. 1596; ſtunk.stunk. 1609;
5.3.hart] 1590; hard1596, 1609;
6.9.place to place.] 1590FE, 1596, 1609; place place.1590;
9.1. whoſewhose ] 1590; thoſethose 1596, 1609;
9.8.be] 1590, 1609; he1596;
12.8.antique fame] 1596, 1609; antique frame1590;
21.1.cald] 1590; calth1596, 1609;
23.2.boldly] 1590; bloudy1596; boldy1609;
28.2.both their] 1596, 1609; both her1590;
28.2.champions] 1590; champion1596; Champion1609;
31.3.makes] 1590FE, 1596, 1609; make1590;
35.4.merth] 1590, 1596; mirth1609;
36.9.thanck).] this edn.; thanck.)1590; thanke.)1596; thank.)1609;
37.1. FaſtFast ] 1590FE; FirſtFirst 1590, 1596, 1609;
40.5.peaceably] 1590; peaceablee1596, 1609;
43.9.employes.] 1596, 1609; employes,1590;
44.4.entrold] 1590; introld1596, 1609;
44.9.fordonne.] 1596, 1609; fordonne,1590;
46.5. WhilſtWhilst ] 1590, 1609; WhileſtWhilest 1596;
46.9.hyes.] 1596; hyes1590; hies.1609;
2 face: Personification; the rhetorical term for personification, ‘prosopopoeia’, from Gk προσωπον pr𝜊sōpon face or person (from προς pr𝜊s to + ωψ 𝜊ps face) and ποι𝜀ω poiein to make.
2 golden Meane: Refers to Aristotle’s concept of virtue as a mean between the excess and deficiency of a given quality (Nic Eth 2.6-9). Cf. Horace on the aurea mediocritas (Odes 2.10.5).
3 Extremities: The extremes of excess and deficiency, as at 38.4; also the hands as they flank the ‘face’.
4 cleane: Cf. ‘clensd’ (arg. 1).
1.3 sad Tragedie: Cf. ‘pitifull spectacle’ (i.40.1, 9).
1.3 vptyde: The awkward sense of neatly tidying up, in contrast to the dénoument (unravelling) proper to tragedy, extends to the unapt repetition of up as the knight picks the ‘litle babe’ up off the ground, and prepares for the shocking incongruity of the child’s blissful obliviousness to the ‘sad Tragedy’ of its birth.
1.7 innocent: Ironically not ‘innocent’ in a spiritual sense, as the surrounding language of blood and guilt insists with its repeated implication of original sin.
2.2 in . . . balefull ashes bred: Cf. the phoenix, a common Renaissance emblem of resurrection.
2.6 2.6 Links the baby with its bloody hands to the bleeding branch in the Fradubio episode at I.ii.30.6-9.
2.7–2.8 2.7-8 Cf. John 15:6, ‘If a man abide not in me, he is cast forthe as a branche, and withereth’. Guyon’s conclusion (‘Such is the state of men’) might seem to assume the absence of grace, in contrast to the implications of the phoenix; like the texture of allusion to Romans in this and the previous canto, the metaphor of the babe as a branch torn from its trunk—in contrast to the conventional image of the genalogical tree—depicts life itself as a form of death.
3.1 St. 3-4 The image of the phoenix (2.6) recalls the well in which Redcrosse is restored at I.xi.29-30 (cf. the simile comparing the ‘new-borne’ knight to an Eagle at I.xi.34). Guyon’s failed effort to wash the baby’s hands in this well has been diversely interpreted as an allegory of baptism and of Mosaic Law. See The Thirty Nine Articles IX, on original sin; XVI, on sin after baptism; and XVIII, on the insufficiency of the Law for salvation. Paul discusses these topics in Rom 5-7; see esp. 6:2-4: ‘Howe shall we, that are dead to sinne, live yet therein? Knowe ye not, that all we which have bene baptized into Jesus Christ, have bene baptized into his death? We are buried then with him by baptisme into his death, that like as Christ was raysed up from the dead to the glorie of the Father, so we also should walke in newnesse of life’. The language and imagery of these cantos suspend Temperance in the interval between baptism-into-death and resurrection into newness of life.
3.3 3.3 Cf. I.viii.40.3, ‘Entire affection hateth nicer hands’.
3.9 diuerse: Cf. I.i.10.9. Refers to the alternative hypotheses set forth in the next stanza; figuratively, plays out the characteristic pun on 'maze' in Spenserian 'amazement'.
4.3 in lieu of innocence: This interpretation of the stigma contradicts the hypothesis that the babe smiles on his dead parents 'As . . . innocent / Of that was doen' (1.7-8). The infant’s shocking combination of inherited guilt and ignorance of sin suggest to Paul’s description of life prior to the Mocaic law (Rom 7:9, ‘For I once was alive, without the Law’).
4.4 Imprinted: Cf. the pun on 'engrave' at i.60.1 and note; as a token of divine wrath the stigma would similarly be associated with the motif of revenge and the rhetoric of Despair at I.ix.47-49.
4.5 bloodguiltinesse: Normally, ‘guilty of bloodshed’, but here perhaps ‘guilt inhering in the blood’; see 3.4 and i.61.8 and notes. The word occurs twice more in FQ, at 30.3 and at II.vii.19.5.
4.6–4.8 4.6-8 These lines treat Mordant and Amavia as a single body: because he drank, ‘they dronk’, and ‘their blood’ is infected. In line 8 they become a single ‘tronck’. See i.60.1-4n.
4.6 charme and veneme: Cf. i.52.3, ‘words and weedes’.
4.7 4.7 The conjecture of 'secret filth' infecting the parents' blood implies venereal disease.
4.9 4.9 Since the bodies have not been dead long enough to decay their stench calls for explanation, although the 'great contagion' of this conjecture may blur the line between a natural cause like disease and a supernatural cause like sin.
5.1 to bord: From the sense of coming up alongside a ship in order to go aboard.
5.4 5.4 'Out of your ignorance you build up great wonderment/a great prodigy', referring at once to the conjectures of st. 4 and to the 'wavering wonder' that gives rise to them.
5.8–5.9 5.8-9 ‘Whoever has the knowledge to have selected among waters based on their secret powers has been able to use them to effect wonders far beyond the ordinary’.
6.1 indewd: The pun on the rhyming partner (invested with dew = in-dewed) aptly folds the action of supplying moisture back into the 'sourse', Dame Nature's breast.
6.2 great Dame Nature: A frequent character in medieval allegories from Alain de Lisle’s De Planctu Naturae to Chaucer’s Parlement of Fowles, the goddess Nature appears at TCM vii.5.1 and disappears at vii.59.9; Alain and Chaucer are mentioned at vii.9. Faunus, Diana, and another nymph (Molanna) also figure in TCM, along with an etiological fable about rivers.
6.5 Floraes painted lap: Flora is the Roman goddess of flowering plants, associated with natural fertility; cf. her image in Boticelli’s Primavera. Contrast her appearance in Redcrosse’s lustful dream (I.i.48.9) and E.K.’s reference to her as a Roman prostitute (SC March gloss to 16).
6.6 guifte of later grace: Echoing Rom 5:15: ‘But yet the gift is not so, as is the offence: for if through the offence of one, many be dead, muche more the grace of God, and the gift by grace, which is by one man Jesus Christ, hathe abunded unto many’.
6.8 vertue: Cf. 5.6.
7.1 St. 7-9 Cf. the enchanted well and indwelling nymph at I.vii.4-6. Spenser may base the fable of the well’s nymph on the legend of St. Winifred. For Drayton’s account of ‘the sacred fount of Winifrid’, see Polyolbion 10.124-164. There is a corresponding well in the episode from Trissino that Spenser draws on in Book II (L’Italia 4.673-697; see i.8-34n).
7.4 hartlesse Hynd: With a pun on ‘hart’ as stag, ‘doe without a mate’.
7.5 Dan Faunus: See 6.2n. Faunus is a wood-god, identified with Pan and associated with fertility but also specifically with amorous pursuit: Horace calls him Nympharum fugientum amator (‘lover of the flying nymphs’; Odes 3.18.1).
7.7 chace: Since the stanza form calls for a ‘b’-rhyme to end line 7, editors often emend to ‘pray’ (prey) or ‘ray’. Some who consider the repetition of ‘chace, / And chaced’ to be deliberate have devised interpretations for the violation; Kellogg and Steele 1965 note ‘four other passages in Book II, and nine altogether in The Faerie Queene, in which the early editions give a non-rhyming word in a position where an obvious synonym would rhyme . . . . The other imperfect rhymes in Book II are at ii.42.6, iii.28.7, viii.29.7, and xii.54.7’.
8.2 of shame affrayd: See i.20.5, 30.1-9 and notes.
8.4 Diana: The goddess of chastity and of the hunt. The nymph’s invocation of Diana and subsequent metamorphosis mark this episode as a self-conscious imitation of Ovid’s Metamorphoses; often cited are the transformations of Daphne in Book 1, Arethusa in Book 5, Biblis in Book 9, and Acis in Book 13.
8.7 dismayd: With its rhyme-partner ‘mayd’, emphasizes the paradox that the nymph can remain a maid (virgin) only by ceasing to be a maid (girl).
8.8 mate: The play on 'mayd' and 'mate' suggests by way of a pun that the miraculous well left Guyon 'amated' at 5.3 because its singularity derives from the nymph's refusal to be 'amated' (matched, joined) by Faunus. The fountain’s nymph is, therefore, figuratively the antithesis of the water that mixes with wine in the curse Acrasia uses to deceive Mortdant: ‘So soone as Bacchus with the Nymphe does lincke’ (i.55.6 and note).
9.3 old conceiued dreads: Implicitly contrasting the conception of unchanging ‘dreads’ with the sexual conception that the maid refuses.
10.2–10.9 10.2-9 The Palmer’s interpretation of the bloody hands as a testament to Amavia’s ‘innocence’ neglects the Christian belief that suicide is a mortal sin; his sense of them as a ‘sacred Symbole’ calling for ‘revengement’ violates the Biblical injunction against revenge, and aligns Amavia uncomfortably with Duessa, in the preceding episode, as a distressed damsel appealing for vengeance. (See i.37.8n for the topical allusion in the 'bloody hand'.)
10.5 innocence: See 1.7-8, 4.3, and i.37.6-9. In the theological allegory, the mother 'in her last testament' bequeaths not innocence but original sin.
10.7 Symbole: OED identifies this as the earliest recorded use of the word in its modern sense to mean something that stands for something else.
10.7 dwell: Cf. Romans 7.17, 'the sin that dwelleth in me'.
11.7–12.4 11.7-12.4 The import of Guyon’s loss is suggested by the shared etymology of ‘chivalry’ and ‘cavalry’ from L caballarius horseman. In Le Morte Darthur, Sir Lamerok berates his brothers, unhorsed in jousting, by demanding ‘What is a knyght but whan he is on horseback? For I sette nat by a knytht whan he is on foote’ (10.48).
12.7 Built on a rocke: Cf. the ‘wise man, which hathe buylded his house on a rocke’ at Matt 7:24.
13.4 by equall shares in equall fee: The sisters inherit equal shares and equal rights to hold those shares.
13.7–13.9 13.7-9: Cf. Aristotle: ‘the extreme states are contrary both to the intermediate state and to each other, and the intermediate to the extremes’ (Nic Eth 2.8).
14.4 Medina: From L mediana in the middle, and perhaps also medens physician. Cf. SC Julye 234, Thomalin’s emblem, In medio virtus, glossed by E.K. with reference to ‘the saying of olde Philosophers, that vertue dwelleth in the middest, being environed with two contrary vices’. At Julye 236 this motto is counterpoised by Morrell’s emblem, In summo foelicitas, which replies to Thomalin’s ‘with continuaunce of the same Philosophers opinion, that albeit all bountye dwelleth in mediocritie, yet perfect felicitye dewlleth in supramacie’. The philosophers in question, who start out in the plural and then seem to coalesce into a single figure, are apparently Aristotle and Plato respectively.
14.9 enterprize: From L inter between and prendere to take.
15.6 15.6 ‘Beyond what would normally be the rational capacity of one so young’ (the paradoxical excess of the golden mean).
16.4 wanton: Has a wide range of possible meanings, from ‘undisciplined’ to ‘amorous’ to ‘lewd and lascivious’.
16.5 Accourting: Cf. ‘comely courted’ at 15.2 above; this courting may simply be extravagant (‘lavish’), or it may be amorous. OED cites only this instance.
16.8 countenaunce: OED cites only this instance for the sense ‘make a show of or pretend’.
17.2 Huddibras: The ‘great . . . name’ of an early English king whose role in Briton moniments resembles that of Medina rather than of his namesake in this episode: ‘Next Huddibras his realm did not encrease, / But taught the land from wearie wars to cease’ (x.25.4-5). The knight’s name associates him here with his chief quality (Huddi hardy + Fr bras arm) and with his armor of ‘shyning bras’; cf. Job 6.12, ‘is my flesh of brasse?’
17.8 17.8 He was more temperamental than courageous.
18.1 Sansloy: Last seen at the close of I.vi engaged in combat with Sir Satyrane.
20.3 middle space: Medina’s proper turf.
20.5 the scorned life to quell: Their rage is ultimately suicidal.
20.6–20.7 20.6-7 See 12.6-9n and 20.5n; the conflict between extremes not only disturbs the occupants of the castle but threatens its foundations (‘raysd’ = ‘raised’, but the secondary sense ‘razed’ threatens).
20.9 fouldring: From L fulgere to flash and fulgur lightning-flash.
21.5–21.9 21.5-9 The anticlimax of ‘to understond’ emphasizes the comedy of Guyun’s rushing in wielding sword and shield complete with Homeric epithet (‘sunbroad’) in order to ‘pacifie’ the combatants—not ‘as well he can’ (which the meter would favor), but ‘well as he can’, which turns out to be not very well. Having lost his horse and borne his armor as a ‘burden’ (12.4), Guyon is learning the limited value of armor and weapons in achieving temperance.
22.6 lybicke Ocean: Presumably the desert with its wave-like dunes, since bears and tigers would be unlikely to fight in a literal ocean.
22.7 surbet: Cf. III.iv.34.5.
24.1–24.9 St. 24 Cf. Ariosto, OF 21.53.1-6: Come ne l’atro mar legno talora, / che da duo venti sia percosso e vinto, / ch’ora uno inanzi l’ha mandato, et ora / un altro al primo termine respinto, / e l’han girato da poppa e da prora, / dal più possente al fin resta sospinto (‘As a ship on the high seas will sometimes be driven and buffeted by two winds, and one wind will thrust it onwards until the opposing wind blows it back whence it came; and it is slewed round, stem and tern, by the winds until the stronger of the two prevails’).
25.5 dismade: Dismayed, i.e. discouraged, but the secondary pun ‘dis-made’ undercuts the narrator’s double . . praise (25.9) by suggesting that Guyon’s intervention partakes of the same destructive impulses that motivate the combatants. Cf. 20.5-7 and notes, and note further how Guyon ceases to be differentiated from the other two knights in 26.1-27.1, where the adjectives ‘valiaunt’, ‘miserable’, and ‘furious’ apply equally to all three.
26.2 darraine: With an emphasis (ironic, here) on the orderly drawing up of ranks in preparation for battle (cf. ‘enraunged’, 21.4).
26.3 triple warre: Cf. 13.7-9n.
27.1 St. 27-33 Cf. IV.iii.46-52, where Cambina reconciles Triamond and Cambel.
27.2–27.3 tresses torne, / And naked brest: Conventional signs of grief.
28.2 bad: The line-ending floats ‘not good’ as a momentary (and apt) possibility.
29.2 Erinnys: The Erinyes (Roman name, Furies) are spirits of vengeance in Greek myth. Cf. ‘mortal vengeaunce’ and ‘fowle revenging rage’ at 30.4 and 30.9, as well as i.61.7, ii.10.8, and the repetition of ‘bloodguiltinesse’ cited in ii.4.5n. See also E.K.’s gloss to SC Nov 164 naming the three Furies.
29.2–29.3 29.2-3 At Aen 7.456-57 one of the Furies, Allecto, flings a torch at Turnus et atro / lumine fumantis fixit sub pectore taedas (‘and fixed in his breast the brand, smoking with lurid light’).
29.6 thrust: By metathesis, a 16th-c form of ‘thirst’.
31.1 louely concord: See IV.x.34-35.
31.3 31.3 Cf. i.57.7-8, ‘The strong it weakens with infirmitie, / And with bold fury armes the weakest hart’.
31.7 Oliue girlond: Cf. SC Apr 124, ‘Olives bene for peace’.
32.7 requests: Subjects petitioning the king were heard by a part of the council called the Court of Requests.
32.8 as a law: Compare the legal language here with allusions to passages on the law in Rom 7, glossed at i.54.5, 55.3, and 55.9.
32.9 32.9 I.e., they gave their word as knights to observe the terms of the treaty.
33.3 treague: From medieval Latin treuga and Goth triggwa, covenant.
33.5 grace to reconcile: L gratiam reconciliare.
34.6–34.8 34.6-8 Cf. Ps 39:11, ‘When thou wt [with] rebukes doest chastise man for iniquitie, thou as a mothe makest his beautie to consume: surely every man is vanitie’.
35.1 Elissa: From Gr ελασσων elassōn (‘too little, inferior’). Cf. 34.9: having ‘too little’ appetite for pleasure, she presumably considers the ‘cheare . . . too mutch’.
36.1 Perissa: from Gr περισσoς perissos (‘too much, excessive’), would be the sister who ‘thought her [Medina’s] cheare too litle’ (34.9). Throughout these stanzas Spenser plays with the irony of apparent opposites that actually mirror each other.
36.4 measure in her mood: In late medieval music ‘mood’ is a technical term used in describing aspects of rhythm, as for example in the singing of psalms. OED cites Sternhold et al. 1572: ‘To set out a full and absolute knowledge of the nature of the Scale: what moodes there are, & how many: what is perfection, what imperfection . . .’ (sig. Aviiv).
36.5 poured out in pleasure: Cf. I.vii.7.2, where Redcrosse lies ‘pourd out in loosnesse’.
37.6 Malecontent: A common character-type in Elizabethan and Jacobean drama; eventually (1604) the title of a play attributed to John Marston.
38.4 extremities: Cf. arg.3n.
38.5–38.7 forward . . . froward: Cf. i.37.1n.
39.3–39.4 39.3-4 The turn from feasting to storytelling is repeated several times in Homer and Virgil, e.g. Il 1.469, Od 8.430-32, Aen 1.723, Aen 8.184-85.
39.8–39.9 39.8-9 Cf. Aen 2.1-2: Conticuere omnes intentique ora tenebant. / inde toro pater Aeneas sic orsus ab alto (‘All were hushed, and held their gaze bent upon him; then from his lofty couch father Aeneas thus began’).
40.9 40.9 Echoing Ps 85:10, ‘Mercie and trueth shal mete: righteousnes and peace shal kisse one another’.
41.9 Idole: It is conventional to say that a monarch is the earthly resemblance of God’s magnificence. It is possible as well to suspect that offering ‘sacred reverence’ to a mortal ‘idol’ might evoke the sense, ‘Any thing or person that is the object of excessive or supreme devotion, or that usurps the place of God in human affection’ (OED), but the poet is careful not to say so.
41.9 magnificence: Identified in FQ Letter as ‘the perfection of all the rest’ of the virtues, and as represented ‘in the person of Prince Arthure’ (38-39).
42.4 Order of Maydenhead: Una tells Arthur that she was drawn to Gloriana’s court to seek aid against the dragon by the fame of ‘that noble order hight of maidenhed’ (I.vii.46.4), alluding to the Elizabethan Order of the Garter. For subsequent references see II.ix.6.6 and IV.iv.17-25.
42.6–43.9 42.6-43.9 This account revises the version given at FQ Letter 49-52 and 70-74, where the Palmer arrives at court with the infant Ruddymane already in hand.
42.6 make: The rhyme-scheme calls for ‘hold’, and some editors emend.
42.7 42.7 Traditionally the year was thought to begin on March 25, but Spenser begins SC in January, and more than half of the ‘Generall Argument’ is given over to a defense of this choice. If Gloriana holds her feast on the twelve days of Christmas, then this line probably refers to January 1.
44.1–44.2 44.1-2 Three months have passed.
44.4 roiall presence: Referring to the Presence Chamber, where the Queen, surrounded by her attendants, received visitors.
44.4 entrold: Cf. Zurcher 2007: ‘a curious and apparently textually corrupt word . . . that has excited the confusion and creativity of editors for three centuries. Its situation as a rhyme-word at the end of the fourth line of its stanza . . . links ‘world’ to ‘hold’ and ‘told’, which without . . . some phonetically hingeing or elastic word cannot be knit successfully together; its function as a phonetic bridge, with the trill moving metasthetically between ‘entrold’ and ‘entorld’ (a feat more straightforward in Elizabethan pronunciation than our own), strongly suggests that Spenser intended this exact spelling. . . . [T]he word itself also combines . . . enroll and enter--the Tudor legal senses of which words make semantic sense in a passage where Guyon is swearing a sacred oath to avenge the loss of Ruddymane's parents . . .’ (52).
45.1–45.4 45.1-4 Medina already knows the moral she wants the story to illustrate.
45.5 45.5 I.e., misfortune or evil often leads to or procures good results when treated as an example.
46.1–46.3 46.1-3 Cf. SpE s.v. ‘constellations’. Orion has set beneath the horizon, followed in the night sky by the constellation Hydra.
Building display . . .
Re-selecting textual changes . . .

Introduction

The toggles above every page allow you to determine both the degree and the kind of editorial intervention present in the text as you read it. They control, as well, the display of secondary materials—collational notes, glosses, and links to commentary.

Textual Changes

The vagaries of early modern printing often required that lines or words be broken. Toggling Modern Lineation on will reunite divided words and set errant words in their lines.

Off: That a large share it hewd out of the rest, (blest.And glauncing downe his shield, from blame him fairely (FQ I.ii.18.8-9)On: That a large share it hewd out of the rest,And glauncing downe his shield, from blame him fairely blest.

Toggling Expansions on will undo certain early modern abbreviations.

Off: Sweet slõbring deaw, the which to sleep them biddes:(FQ I.i.36.4)On: Sweet slombring deaw, the which to sleep them biddes:

Toggling Modern Characters on will convert u, v, i, y, and vv to v, u, j, i, and w. (N.B. the editors have silently replaced ſ with s, expanded most ligatures, and adjusted spacing according contemporary norms.)

Off: And all the world in their subiection held,Till that infernall feend with foule vprore(FQ I.i.5.6-7)On: And all the world in their subjection held,Till that infernall feend with foule uprore

Toggling Lexical Modernizations on will conform certain words to contemporary orthographic standards.

Off: But wander too and fro in waies vnknowne(FQ I.i.10.5)On: But wander to and fro in waies vnknowne.

Toggling Emendations on will correct obvious errors in the edition on which we base our text and modernize its most unfamiliar features.

Most lothsom, filthie, foule, and full of vile disdaine(FQ I.i.14.9)14.9. Most lothsom] this edn.;Mostlothsom 1590

(The text of 1590 reads Mostlothsom, while the editors’ emendation reads Most lothsom.)

Apparatus

Toggling Collation Notes on will highlight words that differ among printings.

And shall thee well rewarde to shew the place,(FQ I.i.31.5)5. thee] 1590; you 15961609

(The text of 1590 reads thee, while the texts of 1596 and 1609 read you.)

Toggling Commentary Links on will show links to the editors’ commentary.

Toggling Line Numbers on will show the number of the line within each stanza.

Toggling Stanza Numbers on will show the number of the stanza within each canto.

Toggling Glosses on will show the definitions of unfamiliar words or phrases.

To my long approoved and singular good frende, Master G.H.(Letters I.1)1. long aprooved: tried and true,found trustworthy over along period
v2026-4-14_13:21