145

Trois Esquisses musicales

1 Ronde turque

[musical score]
159 bars

2 Sérénade

[musical score]
135 bars

3 Caprice

[musical score]
214 bars

orgue expressif (harmonium)

Composition: probably in 1857, before Bizet's departure for Italy. It was published in the latter half of 1858.

Autograph score: not known

Printed scores:
1
pl. nos:

R.C. 1368, R.C. 1369, R.C. 1370

pages:

3 cahiers: title page, blank, 1-5, 1-5, 1-7

date:

1858. The publisher moved to those addresses on 14-3-1858.

note:

No. 1 is marked PIANO before the stave, but it is registered for the harmonium and is obviously intended for the harmonium.

copies:

F-Pn K.8726 (dépôt légal 1858)

F-Pn Vm11 153 (stamped 1858)

2

Heugel, pl. nos H.& Cie 23202-4, [1906]. US-BEm, US-CHH (no. 1), US-DMu, US-Wc M17.B (gift of Mina Curtiss).

3

Classical Vocal Reprints, New York, c. 2000 (facsimile of Heugel edition).

4

Dover, Mineola, 2001, in Organ Music for Manuals Only, ed. Rollin Smith. IMSLP.

Arrangements for piano:
Arrangement, for violin (or cello), harmonium and piano:
Dedicatee: Louis-James-Alfred Lefébure-Wely (1817-1870), organist at the Madeleine from 1847 to 1857. Berlioz described him as 'ce joli petit organiste à bagues, à camées, à canne à pomme d'or, qui enjolive les thèmes qu'il joue.'
Letter:
'Où en est Gustave [Delsarte ?] pour mes morceaux ? (dis-lui qu'il m'écrive).'
Lacombe, p. 768
Discography:
Bibliography: