43
Geneviève de Paris
légende dramatique
projected
- Geneviève
- Germain – évêque
-
L’Esprit du mal -
sous les traits de
- un cavalier
- Satan
- Rüdli
- Erebold
- chœurs
Libretto: Louis Gallet (1835–98), librettist of Djamileh, Don Rodrigue, and operas by Massenet, Saint-Saëns and others. The text dramatises Ste Geneviève’s role in saving Paris from the Huns, c. 450, and her devotion to the protection of St Germain of Auxerre. Gallet’s libretto calls the work a ‘légende dramatique’ (following Berlioz’s La Damnation de Faust) in four parts (La Vocation, Sur le mont Valérien, Les Épreuves and Paris), while Bizet spoke of it as ‘mystère en 3 parties’ or ‘oratorio’.
Alfred Bruneau wrote a ‘scène lyrique’ entitled Geneviève on a text by E. Guinand in 1881.
Project: 1873–75. Gallet recounts that the success of Massenet’s Marie-Magdeleine in April 1873 (on a text by Gallet) prompted Bizet to ask Gallet for something similar for himself. Discouraged by the fate of Don Rodrigue and the delays with Carmen and encouraged by Lamoureux, Bizet may have worked on this in 1874. But it seems not to have had his full attention until the few months before his death in June 1875. According to Pigot (but denied by Gallet), Guiraud used portions of this work when preparing Seize Mélodies for Choudens in 1885. No sketches survive.
- Printed libretto: in Rémy Stricker, Georges Bizet (Paris, 1999), p. 294–309.
- Pigot (1886) 321, 323
- Pigot (1911) 285-86
- Curtiss 350, 388, 415, 468
- Dean 107, 124, 127, 242, 272, 289
- Wright 102
- Lacombe 621, 645, 647, 669, 740-42
- Louis Gallet, Notes d’un librettiste (Paris 1891), p. 88–94.