T1
100 Fragments
piano-scandé
Original works:
a hundred extracts from the works of Weber, Chopin,
Mendelssohn, Beethoven and others.
Suite 1:
| 1 | Weber | Morceau de concert [op.79] | |
| 2 | id. | ||
| 3 | Weber | Sonate [op. 39] | |
| 4 | id. | ||
| 5 | id. | ||
| 6 | id. | ||
| 7 | Weber | Rondo, op. 62 | |
| 8 | Chopin | Nocturne [op. 27 no. 2] | |
| 9 | Chopin | Marche funèbre [op. 35] | |
| 10 | Chopin | 3me Prélude [op. 28 no. 3] | |
| 11 | Chopin | Etude [op. 10 no. 3] | |
| 12 | Chopin | Etude [op. 10 no. 4] | |
| 13 | Chopin | Etude [op. 10 no 12] | |
| 14 | Chopin | Etude [op. 25 no. 6] | |
| 15 | Mendelssohn | Rondo, op. 14 | |
| 16 | Beethoven | Sonate, op. 2 | |
| 17 | id. | ||
| 18 | id. | ||
| 19 | Beethoven | Sonate, op. 2 | |
| 20 | Beethoven | Sonate pathétique | |
| 21 | id. | ||
| 22 | Beethoven | Sonate, op. 22 | |
| 23 | Beethoven | Sonate, op. 27 [no. 2] | |
| 24 | id. | ||
| 25 | id. | [Sonate, op. 27 no. 1] |
Transcription:
probably in 1853-54 for publication by Girod. The
‘piano-scandé’, invented by the piano-makers Lentz and
Houdart in 1853, allowed
the two pedals to be applied to single octaves at a time, thus allowing soft
pedal in one register and sustaining pedal (or none) in another. The
fragments are all very short, less than ten bars in each extract.
Printed score:
pl. no:
none
pages:
Suite 1: title page, 2 blanks, PIANO SCANDÉS (p. 2), Signes usités dans ce recueil (p. 3), music p. 4-11.
date:
probably 1853 or 1854, when the piano-scandé was introduced.
copy:
F-Pn Ac.p.4391 (Suite 1 only)
note:
no copies of the other three suites, if they were published, have been found.