the afternoon.

"Anthony," she began, "would you still object if I went in the movies?"

His whole heart hardened against the idea. As she seemed to recede from him, if only in threat, her presence became again not so much precious as desperately necessary.

"Oh, Gloria—!"

"Blockhead said he'd put me in—only if I'm ever going to do anything I'll have to start now. They only want young women. Think of the money, Anthony!"

"For you—yes. But how about me?"

"Don't you know that anything I have is yours too?"

"It's such a hell of a career!" he burst out, the moral, the infinitely circumspect Anthony, "and such a hell of a bunch. And I'm so utterly tired of that fellow Bloeckman coming here and interfering. I hate theatrical things."

"It isn't theatrical! It's utterly different."

"What am I supposed to do? Chase you all over the country? Live on your money?"

"Then make some yourself."

The conversation developed into one of the most violent quarrels they had ever had. After the ensuing reconciliation and the inevitable period of moral inertia, she realized that he had taken the life out of the project. Neither of them ever mentioned the probability that Bloeckman was by no means disinterested, but they both knew that it lay back of Anthony's objection.

In April war was declared with Germany. Wilson and his cabinet—a cabinet that in its lack of distinction was strangely reminiscent of the twelve apostles—let loose the carefully starved dogs of war, and the press began to whoop hysterically against the sinister morals, sinister philosophy, and sinister music produced by the Teutonic temperament. Those who fancied themselves particularly broad-minded made the exquisite distinction that it was only the German Government which aroused them to hysteria; the rest were worked up to a condition of retching indecency. Any song which contained the word "mother" and the word "kaiser" was assured of a tremendous success. At last every one had something to talk about—and almost every one fully enjoyed it, as though they had been cast for parts in a sombre and romantic play.

Anthony, Maury, and Dick sent in their applications for officers' training-camps and the two latter went about feeling strangely exalted and reproachless; they chattered to each other, like college boys, of war's being the one excuse for, and justification of, the aristocrat, and conjured up an