relinquished by the sheriff except on payment of that sum, or by auction, and as Henry Cowperwood had no such sum to spare, he had to let the desk go. There were many things they all wanted, and Anna Adelaide had literally purloined a few though she did not admit the fact to her parents until long afterward.
There came a day when the two houses in Girard Avenue were the scene of a sheriffs sale, during which the general public, without let or hindrance, was permitted to tramp through the rooms and examine the pictures, statuary, and objects of art generally, which were auctioned off to the highest bidder. Considerable fame had attached to Cowperwood's activities in this field, owing in the first place to the real merit of what he had brought together, and in the next place to the enthusiastic comment of such men as Wilton Ellsworth, Fletcher Norton, Gordon Strake—architects and art dealers whose judgment and taste were considered important in Philadelphia. All of the lovely things by which he had set great store—small bronzes, representative of the best period of the Italian Renaissance; bits of Venetian glass which he had collected with great care—a full curio case; statues by Powers, Hosmer, and Thorwaldsen—things which would be smiled at thirty years later, but which were of high value then; all of his pictures by representative American painters from Gilbert to Eastman Johnson, together with a few specimens of the current French and English schools, went for a song. Art judgment in Philadelphia at this time was not exceedingly high; and some of the pictures, for lack of appreciative understanding, were disposed of at much too low a figure. Strake, Norton, and Ellsworth were all present and bought liberally. Senator Simpson, Mollenhauer, and Strobik came to see what they could see. The small-fry politicians were there, en masse. But Simpson, calm judge of good art, secured practically the best of all that was offered. To him went the curio case of Venetian glass; one pair of tall blue-and-white Mohammedan cylindrical vases; fourteen examples of Chinese jade, including several artists' water-dishes and a pierced window-screen of the faintest tinge of green. To Mollenhauer went the furniture and decorations of the entry-hall and reception-room of Henry Cowperwood's house, and to Edward Strobik two of Cowperwood's bird's-eye maple bedroom suites for the most modest of prices. Adam Davis was present and secured the secretaire of buhl which the elder Cowperwood prized so highly. To Fletcher Norton went the four Greek vases—a kylix, a water