in Fifth Avenue, filled a picture-gallery with old masters, entertained all New York in it, and been smuggled out of the country between a trained nurse and a doctor, while his creditors mounted guard over the old masters, and his guests explained to each other that they had dined with him only because they wanted to see the pictures. Mr. Rosedale meant to have a less meteoric career. He knew he should have to go slowly, and the instincts of his race fitted him to suffer rebuffs and put up with delays. But he was prompt to perceive that the general dulness of the season afforded him an unusual opportunity to shine, and he set about with patient industry to form a background for his growing glory. Mrs. Fisher was of immense service to him at this period. She had set off so many newcomers on the social stage that she was like one of those pieces of stock scenery which tell the experienced spectator exactly what is going to take place. But Mr. Rosedale wanted, in the long run, a more individual environment. He was sensitive to shades of difference which Miss Bart would never have credited him with perceiving, because he had no corresponding variations of manner; and it was becoming more and more clear to him that Miss Bart herself possessed precisely the complementary qualities needed to round off his social personality.

Such details did not fall within the range of Mrs. Peniston's vision. Like many minds of panoramic sweep, hers was apt to overlook the MINUTIAE of the foreground, and she was much more likely to know where Carry Fisher had found the Welly Brys' CHEF for them, than what was happening to her own niece. She was not, however, without purveyors of information ready to supplement her deficiencies. Grace Stepney's mind was like a kind of moral fly-paper, to which the buzzing items of gossip were drawn by a fatal attraction, and where they hung fast in the toils of an inexorable memory. Lily would have been surprised to know how many trivial facts concerning herself were lodged in Miss Stepney's head. She was quite aware that she was of interest to dingy people, but she assumed that there is only one form of dinginess, and that admiration for brilliancy is the natural expression of its inferior state. She knew that Gerty Farish admired her blindly, and therefore supposed that she inspired the same sentiments in Grace Stepney, whom she classified as a Gerty Farish without the saving traits of youth and enthusiasm.

In reality, the two differed from each other as much as they differed from the object of their mutual