,—first of one, then deliberately of the other. A war captain (his flighty name was Watatuga, the Dragon-fly, although he looked with his high nose and eagle glance more like a bird of prey), assuming precedence of the others, pressed up beside the prophet, and the challenge of his eyes and the contempt that dilated his nostrils might have seemed more formidable of intent than the lacerating gaze of the cheera-taghe, except that to an Irishman there is always a subtle joy even in the abstract idea of fight. The rest of the braves, with their alert, high-featured cast of countenance, inimical, threatening, clustered about, intent, doubtful, listening.

Adrien L'Épine had his secret doubts as to the efficacy of the bold, blunt, humorous impudence which Terence O'Kimmon fancied such masterful policy,—taking now special joy in the fact that its meaning was partially veiled because of the presumable limitations of the Indian's comprehension of the English language. The more delicate nurture that L'Épine obviously had known revolted at times from this unkempt brusquerie, although he had a strong pulse of sympathy with the wild, lawless disregard of conventional standards which characterized much of the frontier life. He feared, too, that O'Kimmon underrated the extent of the Cherokee's comprehension of the language of which, however, the Indians generally spoke only a few disconnected phrases. So practiced were the savages in all the arts of pantomime, in the interpretation of facial expression and the intonation of the voice, that L'Épine had known in his varied wanderings of instances of tribes in conference, each ignorant of the other's language, who nevertheless reached a definite and intricate mutual understanding without the services of an interpreter. L'Épine felt entrapped, regretful, and wished to recede. He winced palpably as O'Kimmon's rich Irish voice, full of words, struck once more upon the air.

"Me godson, the Governor o' South Carolina," Terence O'Kimmon resumed, lying quite recklessly, "sint his humble respects,—an' he's that swate upon yez that he licks his fingers ter even sphake yer name! (Pity I furgits ut, bein' I never knew ut!)"

Although possessing an assurance that he could get the better of the devil, "could he but identify him," as O'Kimmon frequently said, he felt for one moment as if he were now in the presence. Despite his nerve the silence terrified him. He was beginning to cringe before the steady