there. But when I explain you can trust me; about what I tell you there's no mistake." There was no mistake at least about his being very intelligent and cultivated and knowing almost everything in the world. Although he gave the most interesting and thrilling glimpses Isabel felt he never did it to exhibit himself, and though he had had rare chances and had tumbled in, as she put it, for high prizes, he was as far as possible from making a merit of it. He had enjoyed the best things of life, but they had not spoiled his sense of proportion. His quality was a mixture of the effect of rich experience—oh, so easily come by!—with a modesty at times almost boyish; the sweet and wholesome savour of which—it was as agreeable as something tasted—lost nothing from the addition of a tone of responsible kindness.
"I like your specimen English gentleman very much," Isabel said to Ralph after Lord Warburton had gone.
"I like him too—I love him well," Ralph returned. "But I pity him more."
Isabel looked at him askance. "Why, that seems to me his only fault—that one can't pity him a little. He appears to have everything, to know everything, to be everything."
"Oh, he's in a bad way!" Ralph insisted.
"I suppose you don't mean in health?"
"No, as to that he's detestably sound. What I mean is that he's a man with a great position who's playing all sorts of tricks with it. He doesn't take himself seriously."
"Does he regard himself as a joke?"
"Much worse; he regards himself as an imposition—as an abuse."
"Well, perhaps he is," said Isabel.
"Perhaps he is—though on the whole I don't think so. But in that case what's more pitiable than a sentient, self-conscious abuse planted by other hands, deeply rooted but aching with a sense of its injustice? For me, in his place, I could be as solemn as a statue of Buddha. He occupies a position that appeals to my imagination. Great responsibilities, great opportunities, great consideration, great wealth, great power, a natural share in the public affairs of a great country. But he's all in a muddle about himself, his position, his power, and indeed about everything in the world. He's the victim of a critical age; he has ceased to believe in himself and