so easy. At the end of an intimacy of three months Isabel felt she knew her better; her character had revealed itself, and the admirable woman had also at last redeemed her promise of relating her history from her own point of view—a consummation the more desirable as Isabel had already heard it related from the point of view of others. This history was so sad a one (in so far as it concerned the late M. Merle, a positive adventurer, she might say, though originally so plausible, who had taken advantage, years before, of her youth and of an inexperience in which doubtless those who knew her only now would find it difficult to believe); it abounded so in startling and lamentable incidents that her companion wondered a person so eprouvee could have kept so much of her freshness, her interest in life. Into this freshness of Madame Merle's she obtained a considerable insight; she seemed to see it as professional, as slightly mechanical, carried about in its case like the fiddle of the virtuoso, or blanketed and bridled like the "favourite" of the jockey. She liked her as much as ever, but there was a corner of the curtain that never was lifted; it was as if she had remained after all something of a public performer, condemned to emerge only in character and in costume. She had once said that she came from a distance, that she belonged to the "old, old" world, and Isabel never lost the impression that she was the product of a different moral or social clime from her own, that she had grown up under other stars.
She believed then that at bottom she had a different morality. Of course the morality of civilised persons has always much in common; but our young woman had a sense in her of values gone wrong or, as they said at the shops, marked down. She considered, with the presumption of youth, that a morality differing from her own must be inferior to it; and this conviction was an aid to detecting an occasional flash of cruelty, an occasional lapse from candour, in the conversation of a person who had raised delicate kindness to an art and whose pride was too high for the narrow ways of deception. Her conception of human motives might, in certain lights, have been acquired at the court of some kingdom in decadence, and there were several in her list of which our heroine had not even heard. She had not heard of everything, that was very plain; and there were evidently things in the world of which it was not advantageous to hear. She had