largely characterized by that eminently prosaic sentiment - curiosity. It was true, as Acton with his quietly cogitative habit observed to himself, that curiosity, pushed to a given point, might become a romantic passion; and he certainly thought enough about this charming woman to make him restless and even a little melancholy. It puzzled and vexed him at times to feel that he was not more ardent. He was not in the least bent upon remaining a bachelor. In his younger years he had been - or he had tried to be - of the opinion that it would be a good deal jollier not to marry, and he had flattered himself that his single condition was something of a citadel. It was a citadel, at all events, of which he had long since leveled the outworks. He had removed the guns from the ramparts; he had lowered the drawbridge across the moat. The draw-bridge had swayed lightly under Madame Münster's step; why should he not cause it to be raised again, so that she might be kept prisoner? He had an idea that she would become - in time at least, and on learning the conveniences of the place for making a lady comfortable - a tolerably patient captive. But the draw-bridge was never raised, and Acton's brilliant visitor was as free to depart as she had been to come. It was part of his curiosity to know why the deuce so susceptible a man was not in love with so charming a woman. If her various graces were, as I have said, the factors in an algebraic problem, the answer to this question was the indispensable unknown quantity. The pursuit of the unknown quantity was extremely absorbing; for the present it taxed all Acton's faculties. Toward the middle of August he was obliged to leave home for some days; an old friend, with whom he had been associated in China, had begged him to come to Newport, where he lay extremely ill. His friend got better, and at the end of a week Acton was released. I use the word released advisedly; for in spite of his attachment to his Chinese comrade he had been but a half-hearted visitor. He felt as if he had been called away from the theatre during the progress of a remarkably interesting drama. The curtain was up all this time, and he was losing the fourth act; that fourth act which would have been so essential to a just appreciation of the fifth. In other words, he was thinking about the Baroness, who, seen at this distance, seemed a truly brilliant figure.