spirits. If these were really Mirah's relatives, he could not imagine that even her fervid filial piety could give the reunion with them any sweetness beyond such as could be found in the strict fulfilment of a painful duty. What did this vaunting brother need? And with the most favourable supposition about the hypothetic mother, Deronda shrank from the image of a first meeting between her and Mirah, and still more from the idea of Mirah's domestication with this family. He took refuge in disbelief. To find an Ezra Cohen when the name was running in your head was no more extraordinary than to find a Josiah Smith under like circumstances; and as to the coincidence about the daughter, it would probably turn out to be a difference. If, however, further knowledge confirmed the more undesirable conclusion, what would be wise expediency? - to try and determine the best consequences by concealment, or to brave other consequences for the sake of that openness which is the sweet fresh air of our moral life.   Chapter XXXIV »Er ist geheissen Israel. Ihn hat verwandelt Hexenspruch in einen Hund. Aber jeden Freitag Abend, In der Dämmrungstunde, plötzlich Weicht der Zauber, und der Hund Wird aufs Neu' ein menschlich Wesen.« Heine: Prinzessin Sabbath.   When Deronda arrived at five o'clock, the shop was closed and the door was opened for him by the Christian servant. When she showed him into the room behind the shop he was surprised at the prettiness of the scene. The house was old, and rather extensive at the back: probably the large room he now entered was gloomy by daylight, but now it was agreeably lit by a fine old brass lamp with seven oil-lights hanging above the snow-white cloth spread on the central table. The ceiling and walls were smoky, and all the surroundings were dark enough to throw into relief the human figures, which had a Venetian glow of colouring. The grandmother was arrayed in yellowish brown with a large gold chain in lieu of the necklace, and by this light her yellow face with its darkly-marked eyebrows and framing roll of grey hair looked as handsome as was necessary for picturesque effect. Young Mrs. Cohen was clad in red and black, with a string of large artificial pearls wound round and round her neck: the baby lay asleep in the cradle under a scarlet counterpane; Adelaide Rebekah was in braided amber; and Jacob Alexander was in black velveteen with scarlet stockings. As the four pairs of black eyes all glistened a welcome at Deronda, he was almost ashamed of the supercilious dislike these happy-looking creatures had