. »That was really my ignorance,« said Dorothea, admiring Will's good-humour. »I must have said so only because I never could see any beauty in the pictures which my uncle told me all judges thought very fine. And I have gone about with just the same ignorance in Rome. There are comparatively few paintings that I can really enjoy. At first when I enter a room where the walls are covered with frescoes, or with rare pictures, I feel a kind of awe - like a child present at great ceremonies where there are grand robes and processions; I feel myself in the presence of some higher life than my own. But when I begin to examine the pictures one by one, the life goes out of them, or else is something violent and strange to me. It must be my own dulness. I am seeing so much all at once, and not understanding half of it. That always makes one feel stupid. It is painful to be told that anything is very fine and not be able to feel that it is fine - something like being blind, while people talk of the sky.« »Oh, there is a great deal in the feeling for art which must be acquired,« said Will. (It was impossible now to doubt the directness of Dorothea's confession.) »Art is an old language with a great many artificial affected styles, and sometimes the chief pleasure one gets out of knowing them is the mere sense of knowing. I enjoy the art of all sorts here immensely; but I suppose if I could pick my enjoyment to pieces I should find it made up of many different threads. There is something in daubing a little one's self, and having an idea of the process.« »You mean perhaps to be a painter?« said Dorothea, with a new direction of interest. »You mean to make painting your profession. Mr. Casaubon will like to hear that you have chosen a profession.« »No, oh no,« said Will, with some coldness. »I have quite made up my mind against it. It is too one-sided a life. I have been seeing a great deal of the German artists here: I travelled from Frankfort with one of them. Some are fine, even brilliant fellows - but I should not like to get into their way of looking at the world entirely from the studio point of view.« »That I can understand,« said Dorothea, cordially. »And in Rome it seems as if there were so