a man is obliged to do something besides wagging his head. The tonsor inequalis is inevitably betrayed when he takes the shears in his hand; is it not true, Messer Bardo? I speak after the fashion of a barber, but, as Luigi Pulci says—

“‘Perdonimi s’io fallo: chi m’ascolta
Intenda il mio volgar col suo latino.’”
“Nay, my good Nello,” said Bardo, with an air of friendly severity, “you are not altogether illiterate, and might doubtless have made a more respectable progress in learning if you had abstained somewhat from the cicalata and gossip of the street-corner, to which our Florentines are excessively addicted; but still more if you had not clogged your memory with those frivolous productions of which Luigi Pulci has furnished the most peccant exemplar—a compendium of extravagances and incongruities the farthest removed from the models of a pure age, and resembling rather the grylli or conceits of a period when mystic meaning was held a warrant for monstrosity of form; with this difference, that while the monstrosity is retained, the mystic meaning is absent; in contemptible contrast with the great poem of Virgil, who, as I long held with Filelfo, before Landino had taken upon him to expound the same opinion, embodied the deepest lessons of philosophy in a graceful and well-knit fable. And I cannot but regard the multiplication of these babbling, lawless productions, albeit countenanced by the patronage, and in some degree the example of Lorenzo himself, otherwise a friend to true learning, as a sign that the glorious hopes of this century are to be quenched in gloom; nay, that they have been the delusive prologue to an age worse than that of iron—the age of tinsel and gossamer, in which no thought has substance enough to be moulded into consistent and lasting form.”

“Once more, pardon,” said Nello, opening his palms outwards, and shrugging his shoulders, “I find myself knowing so many things in good Tuscan before I have time to think of the Latin for them; and Messer Luigi’s rhymes are always slipping off the lips of my customers:—that is what corrupts me. And, indeed, talking of customers, I have left my shop and my reputation too long in the custody of my slow Sandro, who does not deserve even to be called a tonsor inequalis, but rather to be pronounced simply a bungler in the vulgar tongue. So with your permission, Messer Bardo, I will take my leave—well understood that I am at your service whenever Maso calls upon me. It seems a thousand years till I dress and perfume the damigella’s hair, which deserves to shine in the