not rather paint your portrait now than before. I think all lines of the human face have something either touching or grand, unless they seem to come from low passions. How fine old men are, like my godfather! Why should not old women look grand and simple?”

“Yes, when one gets to be sixty, my Romola,” said Brigida, relapsing a little; “but I’m only fifty-five, and Monna Berta, and everybody—but it’s no use: I will be good, like you. Your mother, if she’d been alive, would have been as old as I am; we were cousins together. One must either die or get old. But it doesn’t matter about being old, if one’s a Piagnone.”

Chapter Fifty Two.

A Prophetess.

The incidents of that Carnival day seemed to Romola to carry no other personal consequences to her than the new care of supporting poor cousin Brigida in her fluctuating resignation to age and grey hairs; but they introduced a Lenten time in which she was kept at a high pitch of mental excitement and active effort.

Bernardo del Nero had been elected Gonfaloniere. By great exertions the Medicean party had so far triumphed, and that triumph had deepened Romola’s presentiment of some secretly-prepared scheme likely to ripen either into success or betrayal during these two months of her godfather’s authority. Every morning the dim daybreak as it peered into her room seemed to be that haunting fear coming back to her. Every morning the fear went with her as she passed through the streets on her way to the early sermon in the Duomo: but there she gradually lost the sense of its chill presence, as men lose the dread of death in the clash of battle.

In the Duomo she felt herself sharing in a passionate conflict which had wider relations than any enclosed within the walls of Florence. For Savonarola was preaching—preaching the last course of Lenten sermons he was ever allowed to finish in the Duomo: he knew that excommunication was imminent, and he had reached the point of defying it. He held up the condition of the Church in the terrible mirror of his unflinching speech, which called things by their right names and dealt in no polite periphrases; he proclaimed with heightening confidence the advent of renovation—of a moment when there would be a general revolt against corruption. As to his own destiny, he seemed to have a double and alternating prevision: sometimes he saw himself taking a glorious part in that revolt, sending forth a voice that would be heard through all Christendom, and making the dead body of the Church tremble into new life, as the body of Lazarus trembled