the turret which served as his observatory. A large oaken table, in the midst of the chamber, was covered with a rich Turkey carpet, the spoils of the tent of a Pacha, after the great battle of Jaiza, where the Astrologer had fought abreast with the valiant champion of Christendom, Matthias Corvinus. On the table lay a variety of mathematical and astrological instruments, all of the most rich materials and curious workmanship. His astrolabe of silver was the gift of the Emperor of Germany, and his Jacob's staff of ebony, jointed with gold, and curiously inlaid, was a mark of esteem from the reigning Pope. There were various other miscellaneous articles disposed on the table, or hanging around the walls; amongst others, two complete suits of armour, one of mail, the other of plate, both of which, from their great size, seemed to call the gigantic Astrologer their owner; a Spanish toledo, a Scottish broad-sword, a Turkish scimitar, with bows, quivers, and other warlike weapons; musical instruments of several different kinds; a silver crucifix, a sepulchral antique vase, and several of the little brazen Penates of the ancient heathens, with other curious nondescript articles, some of which, in the superstitious opinions of that period, seemed to be designed for magical purposes. The library of this singular character was of the same miscellaneous description with his other effects. Curious manuscripts of classical antiquity lay mingled with the voluminous labours of Christian divines, and of those painstaking sages who professed the chemical science, and proffered to guide their students into the most secret recesses of nature, by means of the Hermetical Philosophy. Some were written in the Eastern character, and others concealed their sense or nonsense under the veil of hieroglyphics and cabalistic characters. The whole apartment, and its furniture of every kind, formed a scene very impressive on the fancy, considering the general belief then indisputably entertained, concerning the truth of the occult sciences; and that effect was increased by the manners and appearance of the individual himself, who, seated in a huge chair, was employed in curiously examining a specimen, just issued from the Frankfort press, of the newly invented art of printing. Galeotti Martivalle was a tall, bulky, yet stately man, considerably past his prime, and whose youthful habits of exercise, though still occasionally resumed, had not been able to contend with his natural tendency to corpulence, increased by sedentary study, and indulgence in the pleasures of the table. His features, though rather overgrown, were dignified and noble, and a Santon might have envied the dark and