of self-respect flattered by it; and sometimes also by reciprocal communications, which interested Mr. Bradwardine, as confirming or illustrating his own favourite anecdotes. Besides, Mr. Bradwardine loved to talk of the scenes of his youth, which had been spent in camps and foreign lands, and had many interesting particulars to tell of the generals under whom he had served, and the actions he had witnessed. Both parties returned to Tully-Veolan in great good humour with each other; Waverley desirous of studying more attentively what he considered as a singular and interesting character, gifted with a memory containing a curious register of ancient and modern anecdotes; and Bradwardine disposed to regard Edward as puer (or rather juvenis) bonoe spei et magnoe indolis, a youth devoid of that petulant volatility which is impatient of, or vilipends, the conversation and advice of his seniors, from which he predicted great things of his future success and deportment in life. There was no other guest except Mr. Rubrick, whose information and discourse, as a clergyman and a scholar, harmonized very well with that of the Baron and his guest. Shortly after dinner, the Baron, as if to show that his temperance was not entirely theoretical, proposed a visit to Rose's apartment, or, as he termed it, her Troisième Etage. Waverley was accordingly conducted through one or two of those long awkward passages with which ancient architects studied to puzzle the inhabitants of the houses which they planned, at the end of which Mr. Bradwardine began to ascend by two steps at once, a very steep, narrow, and winding stair, leaving Mr. Rubrick and Waverley to follow at more leisure, while he should announce their approach to his daughter. After having climbed this perpendicular corkscrew until their brains were almost giddy, they arrived in a little matted lobby, which served as an ante-room to Rose's sanctum sanctorum, and through which they entered her parlour. It was a small but pleasant apartment, opening to the south, and hung with tapestry; adorned besides with two pictures, one of her mother, in the dress of a shepherdess, with a bell-hoop; the other of the Baron, in his tenth year, in a blue coat, embroidered waistcoat, laced hat, and bag-wig, with a bow in his hand. Edward could not help smiling at the costume, and at the odd resemblance between the round, smooth, red-cheeked, staring visage in the portrait, and the gaunt, bearded, hollow-eyed, swarthy features, which travelling, fatigues of war,