to the towering edifice of science in order to collaborate with it and to find protection. And he needs protection. For there are awful powers which continually press upon him, and which hold out against the truth of science truths fashioned in quite    another way, bearing devices of the most heterogeneous character.  That impulse towards the formation of metaphors, that fundamental impulse of man, which we cannot reason away for one moment, for thereby we should reason away man himself, is in truth not defeated nor even subdued by the fact that out of its evaporated products, the ideas, a regular and rigid new world has been built as a stronghold for it. This impulse seeks for itself a new realm of action and another river-bed, and finds it in Mythos and more generally in Art. This impulse constantly confuses the rubrics and cells of the ideas, by putting up new  figures of speech, metaphors, metonymies; it constantly shows its passionate longing for shaping the existing world of waking man as motley, irregular, inconsequentially incoherent, attractive, and eternally new as the world of dreams is. For indeed, waking man per se is only clear about his being awake through the rigid and orderly woof of ideas, and it is for this very reason that he sometimes comes to believe that he was dreaming when that woof of ideas has for a moment been torn by Art. Pascal is quite right, when he asserts, that if the same dream came to us every night we should be just as much occupied by it as by the things which we see every day; to quote his words, If an artisan were certain that he would dream every night for fully twelve hours that he was a king, I believe that he would be just as happy as a king who dreams every night for twelve hours that he is an artisan. The wide-awake day of a people mystically excitable, let us say of the earlier Greeks, is in fact through the continually working wonder, which the mythos presupposes, more akin to the dream than to the day of the thinker sobered by science. If every tree may at some time talk as a nymph, or a god under the disguise of a bull, carry away virgins, if the goddess Athene herself be suddenly seen as, with a beautiful team, she drives, accompanied by Pisistratus, through the markets of Athens,and every honest Athenian did believe this, at any moment, as in a dream, everything is possible; and all nature swarms around man as if she were nothing but the masquerade of the gods, who found it a huge