Landscape

Jane Eyre by T.H. Paul
Act I

Scene 1

Enter Robert Leav[e]n R & E

Robert (speaking ofi): Thankee. I’m all right now, I shall find it. (Looks ofl L.) Why

there it is, I can read the name from here (reads) Lowood Institute
(looks more like a Penitentiary) rebuilt by Naomi Broklehurst Hall in
this County — well I can’t say as I think much of it — so that’s where
poor Jane Eyre’s been shut up for two years & more. I wonder whether
She’s altered — she did have a temper of her own and no mistake although
my Bessie says the way her Aunt and cousins treated her was enough
to rile an angel — Hello, what’s this little lot —

Girls enter from 2 EL walk across followed by Jane Eyre

Robert (looks and calls in doubt): Miss Jane (Jane turns) I beg pardon ain’t you

Jane:
Robert:

Jane:
Robert:

Jane:

Robert:

Jane:

Robert:

Miss Eyre?
My name is Jane Eyre.
l knew it lor bless you ~ you ain’t altered a bit — growed of course and

I think I remember you —

At Gateshead (Jane starts) Mrs Reed’s (She shudders) and you \can/
call to mind Bessie -

Indeed I can with joy and gratitude for she was the only one who shewed
me kindness — hers was the only smile that threw a ray of love and light
on the dark days of my miserable childhood.

She’s my wife now and when l tell her what you’ve just said she‘ll be
proud enough I warrant.

You shall take some kinder message still — but tell me what brings you
to Lowood —

Your Aunt and cousins have come to look over the Institute and I was
told to come up here for orders —

Jane (with an eflort): They are well I hope?

Robert:

Jane:
Robert:

Oh for that matter they’re right enough but they nag and quarrel more
than ever.

Robert I cannot listen to such remarks.

Of course not Miss I ask pardon — Mr John’s come with them — he’s
worse than ever — he is working his quiet dodge now so \as/ to gammon
his mother out of some more money —

73H. Paul s Jane Eyre (1879) 345

Jane: Silence — shew respect to those you serve or serve them no longer.
Enter Mr Broklehurst LER comes down C

Mr Brok: What am to infer from what I behold? Answer, Jane Eyre, in the spirit
of truth — why you have neglected your trust and elected to listen to
the voice of the male stranger whose raiments have dazzled your eyes
and blinded your heart to your duty and made you desert the lambkins
of my flock?

Robert: I beg pardon, Sir, I —

Mr Brok: Menial — for so I judge you by your garments — be silent — Jane Eyre,
speak and do not by falsehood seek to palliate by paltry excuse —

Jane: Mr Broklehurst you are mistaken — this man is a well-tried honest
servant and you have no right to insult him if with impunity you can
me —

Mr Brok: Oh, misguided child raise not thy voice in wrath or ere the sun goes down
punishment may befall thee! (to Robert) Whose servant art thou?

Robert: Mrs Reed's — this young lady’s rich relation.

Mr Brok (slightly changed tone): Jane Eyre — repine not, you see you are not forgotten
by your good and wealthy fn'ends —

Jane: You are mistaken Sir, I am not the object of their visit.

Mr Brok [illegible]: In that case neglect your duty no more — follow your charges
(Points R) remain firm to your post and see the girls do not pick the
buttercups or play at idle games.

Jane: Are they then to have no amusement or pleasure?

Mr Brok: What dreadful words — take this tract, obdurate Jane Eyre, and read it
with gleesome spirit to my little flock — go — (Jane Eyre wearily exit
IER) (To Robert) Here is one for you too — (gives tract) it is entitled ‘A
bit of brimstone or a sod in pickle‘.

Rochester (calls outside): Hollo! I-lere, I say, lend me a hand will you!

Mr Brok (looks ofllER): A voice raised in distress, a muddy dirty-looking fellow — a
beggar perhaps or tramp — let us fiee from all such — neither lend or
give to such (t0 Robert) follow me and acquaint me with your business
here —

Rochester (calls out)

Exit Broklehurst followed by Robert 2EL

Enter Rochester IER; he appears sufleringfiom eflects of fall

Roch: Christianity and civilization exemplified — that fellow must have
seen and heard me and yet in spite of the plight I’m in he walks ofi'

unconcemedly — to the devil with such fellows as he. My wrist hurts
so confoundedly I ~

346 Jane Eyre on Stage, l 848—l898

Enter Jane Eyre ZER

Roch: Hollo! where did you spring from?

Jane: I was in the field by the lane where your horse threw you — he was
straying so I took the bridle and fastened him to the gate yonder —

Roch: Bravo, my heroine, my good fairy of the wood — then you are used to
horses, not a farmer’s daughter I’m sure —

Jane: No, l’m a pupil teacher at the institute here. You seem hurt — shall I get
assistance for you?

Roch: No not from there — just take your handkerchief and bind firmly
round my wrist (business) there, deuce take me but you’re a thorough
household fairy. Now I must get my horse — have you an umbrella? No
stick! Well then l must leave you —

Jane: l am willing to help you, Sir.

Roch: Did I forget to ask your leave? - Ah well — l‘m in pain, my little teacher,

so forgive me, and l’ll not forget the governess of Lowood Institute.
(Exit leaning on Jane 2ER)

Enter Mrs Reed & John Reed followed by Georgina & Eliza Reed

Mrs Reed (going L looking om: You’re mistaken, my dear John — it never can be
Jane!

Georg:

Eliza:

John:

Mrs Reed:

I really cannot conceive what it can signify whether it is or not — we
have done with the low connexion and l presume none of us wish to
renew it —

It certainly is not advisable on the score of expense alone — each
day brings increase of expenditure and I consider I am sufficiently
impoverished by a nearer relative than a cousin (looks spitefillly at
John).

Well, book-keeper, anything else spiteful to say? I’ll outlive you if it’s
only to read the interesting account of the death of the notorious female
miser, Eliza Reed — (Eliza & John quarrel, Georgina laughs).

Pray cease this bickering, I’ll not call it quarrelling — and for such a
subject!

Indeed yes — absurd —

Rediculous and improfitable! [sic]

John (aside): Perhaps — but still let’s say no more about it.

Mrs Reed:

Quite right, my dear John — Georgina is wise in saying we have no wish
to renew the acquaintance of your cousin which, as Eliza says, would
be unprofitable in every way —

George & Eliza: Then why bring us here?

John:
Mrs Reed:

You can’t call it pleasure!
No, John, you are quite right — your brother is correct, my dears — it is
not a pleasure, it is duty!

Mrs Reed:

m. Paul's Jane Eyre (1879) 347

A change, certainly!

Curiosities are expensive —

You would deny yourself the luxury of wondering —

Pray cease - left as this child was to my care, I did my best, but her evil
temper would not allow her even to agree with us though as cousins
Cousin indeed — (Turns up stage R)

Prospectless and penniless! (Turns up stage L)

l’m not so sure ofthat —

I dare not tell them of Jane’s good fortune — the envy, covetousness
and greed of my own children might ruin their chance of sharing in the
fortune that awaits her — as a child she defied and terrified me but the
discipline and usage of Lowood may have made her more tractable —

Enter Mr Broklehurst L; bows obsequiously to Georgina & Eliza who are L. John
lights cigar & lounges on bank.

Mr Brok (bowing): Your servant, ladies.

Georg:

Mama (Nods superciliously).

Eliza (who has been looking at contents 0f purse and closes it quickly): Mama!
Mrs Reed (turning): Ah, Mr Broklehurst - delighted to renew our acquaintance.

John:
Mr Brok:

Mrs Reed:
Mr Bro/r.

Mrs Reed:
Mr Brok:
Mrs Reed:
Mr Bmk:

Georg:

Mr Brok:
Eliza:

Mrs Reed:
Mr Brok:

My daughters you have met — my son, John Reed (introducing; Brok
bows).

That’s me — How are you?

With gratitude I may say I am well and with pleasant fervour welcome
my dear friends — you have come to see the humble work of a weak
but worthy servant of Eleemosary [sic] offerings. (Coughs & points)
This institute was erected —

Yes, we had a circular — but Jane Eyre?

Good heart? benevolent fount overflowing with milk and honey for the
orphan and the friendless — she has risen through the humble merits of
my tuition to a pupil teacher —

But is her temper changed?

Dear friend, first let me ask you your views as to her future —

That depends upon herself (with meaning).

Will you not enter our humble though hospitable if not noble pile — we
there can review the past and exchange ideas as to the future.

It would be as well, Mama — I am fearfiilly faint — I wonder wonder if
Jane can make me a welsh rarebit?

She may have neglected that branch of her education —

Education in many cases of the lower classes means extravagance
— meat seven times a week - wicked and preposterous —

My dears, do not discuss (to Brok) is Jane out?

Yes with the flock in yonder field.

348 Jane Eyre on Stage, 1848-1898

John: What — sheep-shearing —

Mr Brok: No, tempering the elements to the rough winds of the youthful minds
by reading one of my tracts to my dear little charges.

John: Oh then, see, [I’ll] soon fetch her (to Mrs Reed) you and the girls go
in the house and I’ll trot her in —

Mr Brok: Ah then, you are old friends.

John: Oh yes — you ask her, we liked each other — we did — I shall cany the
scar she gave me to my grave and she can’t forget my simple childish
vengeance — if she should why l’ll soon call it to her memory, never

ear. (Exit)

Mrs Reed: My dears, we’ll do as your brother says - if Mr Broklehurst will give
me his arm —

Mr Brok (business): My dear Madam, let us lead the way to the institution which you
will be pleased to observe was built or rather rebuilt by me (walks ofir

describing to Mrs Reed L).
Georg: With somebody else's money — (following L).
Eliza: At a very great expense to outlay I’ll be bound. (Exeunt L)

Enter Jane followed by John Reed

Jane: John Reed, I beg you will not speak to me — time has not yet taught me
to forget your cruel usage to a helpless child.

John: You are powerful now, are you? and can defy me more than ever, Eh!

Jane: Yes I can, and will — for Heaven in its mercy has strengthened my heart

- not with revengeful feelings either for my past wrongs or fears for
future evil, firm in resolves to neither scorn nor threaten, but content to
trust to that power which protects and punishes in its own good time.
(Exit L)

John: Well, that shews a better feeling than before for my purposes — more
easily worked on — cant takes the place of viciousness — I hate her
more than ever but if that precious letter mother keeps so closely to
herself and never dreams that I know of is true, Jane Eyre would be
worth marrying — I must prevent all chance of her reconciliation with
any of my family but myself — then by shewing her a way to change
her misery and poverty to aflluence and happiness time will then let
me mould circumstances to my will - I can’t afford to lose a chance so
for the present need Jane Eyre shall be my sport and profit. (Exit L)

1.11. Pauls Jane Eyre (1879) 349

Scene 2'2‘

School room at Lowood - 2 desks R & L —f0rms — bare walls — raised desk for Miss
Temple C. Girls at desks over slates, books etc.
Mrs Reed, Georgina, Eliza, Miss Temple, Mr Broklehurst

A Bell rings as Scene opens

Mr Brok:

Miss Temple:
Mr Brok:

Mrs Reed:
Georg:

Eliza:
Mr Brok:

Mrs Reed:

Mr Brok:

Miss Temple:
Mr Brok:

Miss Temple:
Mr Brok:

This, my friends, is our Educational Mill — where we grind into the
youthful mind the rudimentary basis of future knowledge —

I have no reports to make or complaints today Sir.

Indeed — but I have some enormitie[s] to call your attention to, Miss
Temple, and but for the presence of strangers —

Pray proceed, Mr Broklehurst, with your discipline — we should prefer
to see the usual working of the admirable Institute —

It’s a novelty to us.

And not expensive —

Dear \honoured/ Friends, if you will let me call you so, for are we
not fellow workers in the good cause of humanity and truth? I would
willingly proceed as you wis[h] but justice will compel me to speak
in terms of reproof to one in whom you are interested (this is spoken
down the stage to Mrs Reed).

I should prefer that you did so — it will enable me to judge if I dare take
her back to the bosom of my family.

Then with a double zeal will I test her humility. Hem! (Coughs loudly
and goes t0 desk) Miss Temple (pulls out a long list) I have here a few
complaints and corrections I wish to bring to your notice — the first comes
under the head of Domestic Stockings — Hem — I was struck with grief
when I saw a quantity of black hose hanging on the line drying in the
sun — now from the size of the holes in those stockings I’m sure they
have not been mended fiom time to time —

They are of an inferior quality —

Impossible — I bought them myself — attend to it do not give out more
than one daming needle to each pupil. Then I see in last week’s account
there are two extra tuckers — the rule limits to one.

I gave permission for two pupils to take tea with some friends.

I was not aware that our pupils had any — I’ll see into it — but here is a
thing that surprises and pains me — my friends, bear with me, it is very
serious (movement). I find in the accounts a mention of lunch of bread
and cheese twice in the past week — the regulations allow no such meal
- whence the invitation - by whose authority —

'2 ‘ Fragile paper begins here.

350 Jane Eyre on Stage, 1848-1898

Miss Temple: By mine, Sir — each day the breakfast was so ill prepared it could not
possibly be eaten.

Mr Brok: One moment — are you aware my plan and rule is to make these girls
hardy and able to dispense nay positively despise luxury and indulgence
— if accident spoils the meal what a glorious opportunity for causing
them to exercise self denial — such an incident should not be neutralized
by pampering them — Miss Temple do not let it occur again — a glorious
opportunity has been lost by feeding their bodies with bread and cheese
and willing by pernicious indulgence their immortal souls —

Miss Temple: Jane Eyre pleaded so hard for them —

Mr Brok: You hear, my dear Madam — Jane Eyre (looks round) why she is not
here —

Miss Temple: She complained of headache and I gave her leave to remain in the
dormitory.

Mr Brok: This is very sad — send for her at once —

Miss Temple (sends ofi’ girl R): You will feel faint with the delay, l fear, let me advise
some sherry and a biscuit (Broklehurst goes ofl taking girl with him),

Mr Reed: Georgina will you —

Georg: Much pleasure — l’m dying with hunger.

Eliza: l think it might have been offered before.

Broklehurst returns, child carrying tray and four glasses. Bmklehurst hands [them]
to the ladies and takes one.

Mr Brok: Miss Temple, that child has dirty hands — make a note for punishment ~
Enter Jane Eyre R. Mrs Reed & daughters [are] L.

Mr Brok (C): Jane Eyre — l regret to hear of your duplicity and deceit — why seek to
hide yourself from your friends under the canopy of a headache?

Jane: You are mistaken, Sir. I am friendless as I have ever been.
Mrs Reed: Jane — do you not see us?
Jane: Yes, and the sight of you reminds me of the agony I suffered as a child at

your hands — lefl to your mercy - how did you fulfill the trust committed
to your care? I freely forgive you the cruelties of the past, and only ask
to be lefi in peace in my lonely wretched life —

Mr Brolc What words are these — ingratitude is a black spot on the human heart
— has your elevation to the position of teacher made you forget the first
precepts taught you, the principles of truth? To overcome the vanity that
consumes you l’ll ask you the elementary questions before the younger
members of the School — Where do the wicked go?

Jane (steadfastly looking at Mrs Reed): To the bottomless pit.

Mr Brok: What is the bottomless pit?

Jane:

Mr Brok:

Mrs Reed:

TH. Pauls Jane Eyre (1879) 351

A pit full of fire — so pictured by you and such as you to children’s
minds — but the conscience of the wicked must ever foreshadow the
punishment which awaits the evil doer — (Goes up to place ['2] Mrs
Reed seems overcome).

And what must the wicked do to prevent going there — [Jane’s reply
is not given] strange unorthodox and obdurate girl — young ladies, I
regret you should hear such words — now you see this child — (draws
their attention to girl at desk R, leaving Mr[s] Reed L).

She is the same as ever, seems to se[e] my thoughts — but she shall
not fri[ghten] me into weakness — this letter which [should] give her
happiness she shall never [see] (tears letter). Now, Jane Eyre,you little
know wha[t] your defiance has cost you —

John enters suddenly L

John (takes pieces of letter from her hand): Don't destroy it altogether, it may [be]

Mrs Reed:
John:

useful yet —

You know its contents then?

Every word — don't be afraid, I’m not going to tell her though, until
she’s willing to come to our way of thinking — there, leave it to me,
Mother, we must crush her still more, get her turned out from here if
necessary — why, you look frightened!

Mr Bmklehurst, Georgina and Eliza come down L, business of school going on at

back

Mr Brok:

Mr Brok:
Roch:

Georg:
EIiZa:

Mrs Reed:

Roch:

Mr Brok:

Mr Reed, welcome to Lowood Institute — we will now leave this - (Child
enters L and hands card [to Bro?]|3*) Mr Rochester (as he speaks
Rochester enters L, mud removed but arm in sling).

Delighted at the honour — permit me to introduce to you, ladies, Mr
Rochester, the most recent and liberal donor to our institute.

Mrs Reed’s know[n] to me already — may l dare hope that I am
remembered?

Indeed, yes — last season in town we met.

Grieved we were at missing Mr Rochester from our circle — Mama
(\asidel) he’s from India and wealthy!

Delighted to meet Mr Rochester, whose name is so distinguished — my
son — John Reed — (they exchange bows).

Distinguished? And for what? you do me too much honour, Madam — the
giving of a few hundred pounds which does not deprive me of o[ne]
luxury or expensive whim scarcely deserves distinction or mention.
What we have we value not.

l3 " Edges of page have crumbled leaving lacunae.

352 Jane Eyre on Stage, 1848-1898

Roch: It is not so in my case — my visit here today proves it, for though I
answered your appeal for funds, I have called to see for myself the
workings of the place you pleaded.

Mr Brok: My dear Sir, you are quite right — I would there were more like you — you
will readily see there is no extravagance here, no waste of substance in
idle luxury.

Roch: It appears not — frivolities of life are scarcely the ideas to plant in the

minds of those who have to start life depending on their own exertion
— such things make the struggle for bread harder to bear.

All: Indeed, yes - (a buzz of admiration).

Roch: Have you a girl here called Eyre — Jane Eyre?

Mr Brok (Movement): Oh, Yes — Yes — (Groans).

John (to Mrs Reed aside): Now’s your time — tell him not to spare her —

Mrs Reed (aside to Broklehurst): Do not mention the relation for the dear girl ‘s sake
- I have done with her for ever - I cast her off as a disgra[ce] as you
will find her.

Mr Brok: In that case I too have done with her. Excuse me, I am sorry to say it,
and it is with pain and regret, believe me, that this roof does shelter the
girl you speak of- Jane Eyre — stand out. (Jane advances R) There she
is, an example, Sir, of the vanity you so justly condemn — Miss Temple,
the pupil teacher’s hair will be cut and worn from now according to
regulation 9 — may I ask your reason for enquiring for her —

Roch: Well, she was in the fields today, she spoke to a man — and —

Reeds: It was her then — we saw her.

Mr Brok (groans): My honored friends and patrons, let me speak a word of warning
to my little flock — Dear children, there is an interloper, an alien and
not a member of our true flock amongst you — guard against her, shun
her, no longer shall she teach you and while she remains here exclude

her from you —

Jane: What do you mean? What am I charged with and who is my
[accuser]?

John (urges Mrs Reed)

Mrs Reed: I am — you are unworthy in every way for the position you hold, both
false and deceitful —

Jane: I am not deceitful — if I were, I should say I loved you and I don’t, I
hate you —

Mr Brok (explanation to Rochester): This lady has been her benefactress —

Jane: I see your motive — fear not, I do not own you as a relation — I’ll never
call you Aunt again — the very thought of all your cruelties drives me
nearly mad —

Mrs Reed: How dare you affirm that —

m. Paulls Jane Eyre (1879) 353

Jane: How dare I Mrs Reed? Because it’s the truth — you think I have no
feelings, that I can do without one bit of love or kindness — but I cannot
live so longer! Heaven help me — what shall I do?

Mrs Reed and daughters turn from her

Mr Brok (with severity): Leave this house — th[is] home that you have cast your evil
blight upon — Begone!

Jane: Oh, Sir — what have I — do not believe me wicked entirely — at the sight
of these enemies of my childhood I was betrayed into passion — I hardly
know what I’m saying — Oh Forgive me Sir, Forgive me —

Mr Brok: Never.

Roch: Then she is expelled fi'om Lowood Institute.
Mr Brok: Yes — for ever - my doors are closed against her.
Roch: The[n] mine are open to receive her!
All: What!
Roch: As governess to my adopted child.
Picture
Music[?]
Ac! Drop
Act II
Scene l

Thornfield. Handsome chamber; elegant furniture. Doors R & L. Bay window. C.
Middle portion must open t0 admit entrance to room. Set[ tee] by window — Armour
-Stand for [illegible] etc. — long bright Spanish knife — old fashioned hearth fire
burning. R. Piano. View of open country/ram window — Snow scene. Door 3 L L. 2
L 4 Candelabras about, wax lights & Xmas festoons. 2 LR.

Enter Grace R. She [has] pint measure etc in her hand. Followed by Robert she
points by window.

Grace: Put the rubbish there since you have been told to bring it into the house

Robert (carrying holly, firs): Rubbish do you call it, wait till you see how Mrs [E]yre
will arrange them, then you won’! say so —

Grace: Yes I shall, you don’t know me.

Robert: What’s more — I don’t want to, you don’t say much, but think a lot I’ll
be bound — (He turns to holly etc. Grace gives one glance L and exits
quickly — terrific scream heard. Robert looks up 3 LL.)

354
Robert:

Jane:

Robert:

Jane:

Robert:

Jane:
Robert:

Jane:

Robert:

Jane:

Jane Eyre on Stage, 1848-1898

What’s that! — she’s gone, it’s my opinion she’s either a supematural
being, or else she takes too many pints of porter. (Jane enters R)
Anything wrong, Miss?

No, Robert, I trust not. The screams I thought came from here.

I believe, Miss, it’s that Mrs Poole, she was here not a minute ago and
vanished all of a sudden.

I will speak to Mr Rochester about it — (Busies herself with the holly
etc) Robert, send Miss Adele to me —

Yes miss — beg pardon, miss but don't it seem strange to have the Reeds
here —

Strange — not at all — your master has invited them as his guests —
But still after them behaving so badly to you, and master thinking such
a lot of you —

Silence - or serving as I do the same employer it will be my duty to
report your remarks to him — Tell Miss Adele to come to me.

Yes Miss. (Aside) I’ve offended her, I wouldn't have put my foot in it
for anything, for she’s — no - she’s better than gold, that’s what she is
— (Exit R),

I wish I could stifie my own thoughts as easily as silence the remarks
of others — what right have I to rebel even by the shadow of a thought
against the wishes, free act and will of a man of so noble, generous,
honest heart and mind as him I serve - an air of mystery clings alike
to him and to his house. I know not, nor do I seek to know the cause
except it be to shew my loving gratitude and serve the man whose hand
was stretched out to save the orphan and helpless girl from misery and
shame —

Enter Adele R. She runs to Jane. (If child can speak, a few lines of dialogue follow. )

Jane:

Adele:
Jane:
Adele:

Roch (R L):

Jane:
Roch:

There, darling — sit there (ottoman) and help me with these Christmas
signs (business). No more lessons for a long time now.

What must I do then?

Why try to love Papa more than ever —

And will you try to? (Enter Rochester overhearing)

Well said, Adele — the ruling passion of woman’s nature is shown by
your remark —

And that is, Sir?

Lovemaking — why, I declare — Jane Eyre you have quite a colour, your
cheeks outdo the holly berries — but there, Adele, we must not tease
or be troublesome, else kind governess will leave us - (Child on his
knee) Do you know what today is? — (Adele shakes head) Well, it’s my
birthday — and what have you to give me — (Adele thinks — puts arms
about his neck — kiss) There again — lavish of her kisses like her — (puts
her from him roughly — Adele holds down her head & runs to Jane).

Jane:
Roch:

Jane:
Roch:

Jane:
Roch:

Jane:

Roch:

Jane:

Roch:

Jane:
Roch:
Jane:
Roch:
Jane:
Roch:

Jane:
Roch:

Jane:

Roch:

11H. Pauli: Jane Eyre (I879) 355

Oh Sir, she thinks you are angry.

No, no, my little poor child, not with you — not with you - there,
darling, see what I have for you — (puts chain & locket round her neck)
won’t you like to go and look in the glass, and see how handsome and
becoming it is, eh — (Adele runs quickly out R) The fioweret is like
the root from whence it spring, gold its sole idol, its life, and love
— (Jane Eyre is going Door R) Where are you going?

To Adele, Sir.

She has more attractive metal now, never fear — you are afraid of me
because l talk like a sphynx —

I am bewildered Sir, not afraid —

Then sit — draw your chair. Miss Eyre, I cannot see you without
disturbing my comfortable position — come closer — I have performed
the part of a good host, put my guests in the way of amusing each other
— what do you think of my choosing your enemies for friends, eh?
Mr Rochester forgets that he pays for receiving his orders — few masters
study the thoughts and feelings of their paid subordinate ~

l forgot the salary — well in consideration of it, consent to dispense with
conventional forms and phrases, without thinking the omission arises
from insolence —

Inforrnality l like — and can never mistake it for an insult, but a salary
would never reconcile anyone to the latter —

Humbug — most people submit to anything for money — speak for
yourself, and l’ll listen and perhaps believe — do you think me
handsome?

No Sir.

A plain answer indeed.

l beg pardon Sir, tastes differ, beauty is of little consequence.

Bah! Don’t try to soften the previous outrage — Am I a fool?

Far from it, sir, but I hope a philanthropist —

You say that because I don’t like the society of children and old women
— I have been knocked about by fortune, she has knocked me with her
knuckles until I'm as hard and tough as an india rubber ball — and yet
ugly and heartless as I am women lay matrimonial snares for me — even
your handsome cousin has smiled upon me — well, why shouldn't l
marry her — (Screams of laughter heard — both start — Rochester goes
L, listens, returns to chair). You look scared and afraid —

I have heard the screams before and,

And wondered why I could be so foolish as to keep a servant who has
fits and makes such horrid sounds — Jane Eyre — sit down, obey your
master — tell me then why I should not cheer my lonely life and marry
your cousin Georgina Reed —

l know of none sir —

Once more quiet — then you cannot possibly have any objection —

356 Jane Eyre on Stage. 1848-1898

Jane: I, Sir — Oh, no, except the day I wish you happiness I must resign my
post as governess here —

Roch: And wherefore?

Jane: As a dependent my duty is to honour your guests, but in the event of
your marriage with my cousin, I must not - nay will not remain here —

Roch: Well, when the contingency arrives I and Adele must suffer our loss

with calmness and becoming fortitude * but you may wish to desert us
before then — I’ll no longer detain you here under false pretences —

Jane: Sir!

Roch: Yes, I have deceived you inasmuch as your pupil Adele is not my adopted
but my own child — you may have guessed it — no. Others less pure and
not so intensely ignorant of the world as you are would have done so
— Adele’s mother was a French opera dancer — in my wildest moments
I never thought there was any consecrated virtue about her, more of
musk and amber than any odour of sanctity — but still I invested her
with fidelity and charm she did not possess. I found her false, so gave
her notice to quit the hotel I had taken for her, shot her companion,
which provoked her into abandoning her child — no natural claim will I
acknowledge on Adele’s part to be supported by me, but I could not leave
the poor child to sink in the mud and slime of Paris, so I transplanted
it here to grow up in the wholesome soil of an English country garden
— you have taught, may have learnt to love her, but now you know who
and what your protege’ is, I suppose you'll beg of me to look out for a
new governess — Eh? —

Jane: N0 — the poor child is blameless — forsaken by her mother and disowned
by you, she has more need of my care and love now.

Enter Georgina, Eliza, Bmklehurst & John Ree[ d]

Roch: Ah, my friends, you look charming (Broklehurst smiles[)] — at least the
ladies, while you all seem better for your walk (Broklehurst appears
very cold).

Georg: But we found it dull without you —

Roch: I was forced to forego the pleasure — wealth has its troubles and cares

Eliza: Ah! but it’s nice to be rich —

Mr Brok (sentimentally to Eliza): Money cannot always obtain for us what we value
most in this vale of tears -

Roch: You are quite right, Mr Broklehurst, what say you Mr Reed? ~
John: My life has taught me another creed —
Roch: I daresay, but your cousin Jane Eyre tries to think differently — (Jane

has been up at window unnoticed till now). Bye the bye, you did not see
her on your am'val ~ here, Miss Eyre, let me introduce you to your old
friends and relatives — (Jane advances) — This, as you know, is Adele’s

Mr Brok:
Roch:

Georg:

Eliza:

Jane:
Georg:

71H. Pauls Jane Eyre (I879) 357

governess, and for the time being my deputy housekeeper, through the
illness of Mrs Fairfax ~ I mention it as your comfort during your visit
depends on her — (Each receives her with silent recognition according
to character). This will never do at [all] Time [now to forget ] and
forgive. (To Broklehurst) [Can you not] as a Christian minister improve
the opportunity by reading a homily on ‘Peace & Goodwill,’ —

If I thought the good seed would not fall on barren soil —

Remember, Sir, from rocks and mountains wild flowers grow, while
hidden gems securely rest unsuspected by us wise judges of each
other.

Cousin, I bear you no animosity. I am sure in your position you will
do your duty and make me as comfortable as you can — (Gives tips of
fingers, Rochester looks at Jane who takes them) -

I am pleased you are able to earn your own living and trust you are
trying to save a little against a rainy day, it’s sure to come sooner or
later and of course you know you have no one to look to but yourself
now your Aunt Reed is very ill and —

I am sorry to hear that, how is it you have all lefi her alone ~

I couldn’t do her any good — she has a nurse and besides (to Rochester)
l did so long to see Thomfield (They converse together).

John (aside): And its owner —
Eliza (aside to Jane): You see it will make such a difference in the expenses and we

are so dreadfully impoverished by John's conduct —

John (coming between them): Eh! (Eliza goes up) — There, Jane, will you shake [ha]nds

Jane:
Roch:

Jane:
Georg:

and as Mr Rochester says forget the past, [it’s?] not because you are
a servant I’m [not?] proud to acknowledge your relationship, [?] my
fault we have not renewed it befo[re] —

I will try my best to forget the past, and wis[h] you happiness in the
future ~

Now, Miss Eyre, if you have welcomed your friends, you will please
attend to my guests -

Yes, Sir. (To ladies) Shall I show you your rooms?

Yes — Eliza come —

Eliza (who has been talking apart to Broklehurst): No, I have a duty to which I have

Mr Brok:

Roch:
Eliza:
Mr Brok:
Eliza:

devoted myself —

Yes, your noble-minded sister accompan[ies] me on a mission of charity
— at such a season of the year one must open their heart and think of
the starving poor in this inclement weather —

Where are you going and what are you going to do?

To the cottages we passed this morning —

We purpose leaving a tract at each —

We shall not forget the dinner hour — for the present au revoir — come,
Mr Broklehurst. ([exeunt] 2 LR)

358
Georg:

Roch:
John:
Roch:

John (aside):
Roch:

John:

Roch:
John:

Roch:

Jane Eyre on Stage, 1848-1898

Come, Jane, take me to my room and get me some mulled Port — Au
Revoir till we meet in the billiard room — don't forget the challenge Mr
Rochester. (Exeunt 2EL, shewn ofl by Jane)
Ah, John Reed, what a happy man you must be with two such sisters.
So wealthy bachelors like you Rochester ofien think — why don't you
marry?

For many reasons — possibly I may fear the chance of a refusal from
the lady I should wish to make my wife —

Can he mean Georgina?

But what of yourself — what’s to hinder you from the happiness you
would frame for me — you have the advantages of youth and looks —
Oh, it's all very well — no advantages in the mam'monial market outweigh
wealth and position — besides my health for the last few months has
prevented me —

Marrying — this is news — and who was to have been the happy
woman?

Well, as it has not come off, we leave it from discussion until it does.
(T urns surlily away)

Are you afraid of my poaching? Suppose I were to guess —

Enter Jane Eyre 2EL with packet — Rochester turns & says ‘Jane Eyre '— John makes
movement of surprise

Jane: Excuse me intruding, Sir, but one of the servants just fetched me to see
a gentleman who is now in the grounds waiting for you —

Roch: Waiting to see me — why not shew him in here?

Jane: He refused to enter the house until you had received his message — in
case you would not see him, he gave me this packet to hand to you —

Roch: The devil he did. What’s his name?

Jane: Mason, Sir — from the West Indies.

Rochester starts

Jane: Why, you turn pale, Sir, are you ill? Let me fetch you some water,

Roch (aside): No, my little friend, don’! stir, I’ve got a (staggers).

John (aside): Some secret here — why, what’s wrong can I —

Roch (rallying): Nothing, its an attack I’m subject to. (Aside to John): One of the

reasons l don’t marry — (aloud): l must see my friend Mason at once,
he was always eccentric. I must go now, this packet, you, Jane, take
charge of this. l have no time to lock it up - (aside): do not leave it
about — secure it safely in your own room till I ask for it — (aloud):
There, l am quite recovered now, excuse me, Reed, l rejoin you directly.
(Goes to Door 2. Screams of laughter heard. Exit calling): Grace Poole,
Grace Poole —

John:

Jane:
John:

Jane:

John:
Jane:

John:
Jane:
John:

Jane:
John:

Jane:
John:

Jane:
John:

Jane:
John:
Jane:

John:

71H. Paulfs Jane Eyre (1879) 359

Why, Jane, what mean those horrible screams? Have you heard them
before?

Yes — but — I don ’t know —

What! You mean to tell me you’ve lived in here for months and can
listen unmoved to sounds like these?

I do not say so and yet for all that I am ignorant of the cause — Mr
Rochester thinks —

No matter what he thinks — what does he say?

That a servant who has been here for years breaks out in these wild fits

Desirable party — why does he keep her —

l don't know —

There’s some secret mystery here — why was he so startled when you
told him of his friend —

It is not my business or yours John Reed —

Suppose it means harm to you — being here your reputation perilled
and character lost for ever —

You dare to insinuate or insult —

Neither, Jane — but I am your only male relative, the only one you have
in the world that loves you —

You love me — your lips pollute the word —

No, don't say that, you’ll find me a better fellow than you think for
— cousins ofien many, why should not we — (John mistakes her silence.)
l’m not well off but still we can do well in many ways — why that packet
might be some value suppose we see —

John Reed, stand out of my way. Never dare speak to me again —

If you won't love me, you shall learn to fear me —

My heart is filled with scorn and loathing and has no room for fear of
such as you — let me pass I say (R) insult or molest me again at your
peril. (Exit R)
We shall see who succeeds in the long run, my charming, amiable cousin
— I've crushed you before and I will again or my name’s not John Reed.
(Looks afier)

Enter Grace 3EL — pint measure etc. under apron. Touches John Is arm — he turns.

John:

Grace:

John:

Grace:

John:

Grace:

John:

Hollo, who are you? What do you want?

You are looking afier our governess.

Our ’s? What, are you one of the household?

I rather think so, as you will find, if you stay here long enough —
Indeed! what are you?

A tn'ed, trusted and confidential servant.

What’s that you have? (Business) Why, it's beer -

360

Grace:
John (aside):

Grace:
John:

Jane Eyne on Stage, 1848-1898

Yes, don’t drink it, its my privilege — at times when I'm peculiar, I like
to take my meals alone - I‘m privileged —

Now to fathom the secret of Thomfield — then you are an old servant
of the family —

Yes, Sir, and although l’m afliicted the kind master still lets me stay -
Bah — (Turns from her) A drunken idiot — the mystery is explained — I’ll
have that packet though Jane Eyre -

Enter Rochester & Mason

Roch:

Ah! still here — John Reed — (introduces) Mr_Mason whom I met years
ago in India. (They exchange greeting) — Grace, show Mr Mason to my
private study — (Grace curtseys — shews Mason, who seems bewildered,
ofl3EL) You will excuse my friend but he has come over about property
he is interested in and I must write immediately ~ he will rejoin us later
on.

Scene gets darker

John:

Roch:

John:

I shall be glad to know him - he must be a good fellow since he seems to
have such a hold on you — (Starts): by the way, what a singular woman
that is whom you sent away just now —

Oh yes, Grace Poole — well sometimes we make ourselves the victim of
our weaknesses knowingly — she’s harmless though — (Screams heard
louder than before)

There is nothing harmless in that it means —

Enters all but Jane Eyre, Robert IE

Roch:

Robert:
Roch:

It means what is the matter — no danger — a mere rehearsal of Much
Ado About Nothing, the poor nervous, excitable servant‘s in a fit again.
(To Robert): What now?

Dinner is served, Sir:

There you are, don't wait, I must see to this to prevent its occurring
again. Shall be with you directly — now help me in my difl'iculty to support
the dignity of my home — (They move ofiT) Thanks, not a word —

When all oflZEL, enter Jane ZER as Rochester rushes to 3EL

Roch (calls across): Wait here, Jane, you may save me yet —

Grace appears at door — exchanges hurried whisper to Rochester —

Roch:

Jane, a bowl of water, and some linen quickly — (She Exit 2ER.) —

71H. Pauls Jane Eyre (I879) 361

Enter Mason from 3EL — torn & bleeding — Jane re-enters with bowl etc — Rochester
supports Mason to chair

Roch: There, never mind. The water, bandage his hand ~ (business) fool to
venture -

Mason: I thought I might do good — I

Roch: It’s idle to talk now, away at once for all our sakes — or there’ll be no

peace now — (Screams — Mason starts) Come, man try the window
- straight to the gate to save time — Carter the chemist will know what
is best for the bite of a dog —

Rochester looks atl4* Jane and assists Mason to the window. Exit Mason. Rochester
watches — Jane stands amazed. Rochester closes window.

Roch: Heavens, when w[i]ll th[is] end — Jane, you look pale — the danger’s
past — the enemy is gone.

Jane: That man can harm you, Sir, he dare not —

Roch: Right — little friend, he never will without he knows he can — it is

imperative that I should keep him ignorant that harm to me is []possible
— I puzzle you — I’ll do so no more for you are my fi'iend are you

not?
Jane: I like to obey you, Sir, and if you have no more to fear from others than
from me you are safe.
Roch: Heaven grant it may be so.
Enter Robert 1 EL
Robert: Your guests are anxious for you, Sir. (Exit Robert.)
Roch: Enough — I am free now and will join them. And you, Jane Eyre?
Jane: I am going to hear Adele say her evening prayers.
Roch: Then frame one that she may whisper to heaven for me.

Jane exit to ER

Roch: What’s the feeling that overcomes me? I have lived it down till now
— Oh God grant it may kill rather than conquer me. (Enter Robert.)
Lights here and make the house seem gay with merriment and joy and
drown the curse. Now for my friends and, as the world says, my future
bride. (Exit IEL.)

Robert lights candles about stage

'4 “ New hand begins here.

362 Jane Eyre on Stage. 1848-1898

Robert: Well, Master does seem strange — he is a good fellow, I’m sure and yet
I don’t like living in the house — l never look at the curtain without I
think — hollo, what’s that? Oh, its only the wind —

Enter Grace ZEL — glass of water & decanter 0n tray

Robert: Hollo, how quiet you are — I never heard you come in.

Grace: No need to make a noise unless you get something for it.

Robert: I don’t know how it is, but you always frighten me.

Grace: Fools are easily frightened — (Robert still lighting & arranging
room.)

Enter John 1 EL

John: What’s this, more beer?

Grace: No, Sir, it's water for the Govemess — who l have to attend to every
nigh[t] — least way put this here for he[r] to take with her the last thing
— such fads and fancies — (She place[s] tray on small table R Robert

m.)

John: Indeed! If I was sure that she would drink any of it that packet should
at lea[st] be mine — it would be eas[y] to ascertain her room — first“?
[I] must get the op[i]ate — but — Grace — is there a doctor near here —

Grace: Oh, yes, quite close to the gate - are you ill?

John: No, a neuralgia pain — l was forced to leave the table — direct me to his
house.

Grace: Shall I go, Sir?

John: No, my good woman — l know what I require.

Grace: You can see his lamp from the window - (They g0 t0 the window.) The
snow has covered the path that leads to the gate —

John: Why, what are those footprints by the window there? They go right
along the way you point — why it’s quite close to the ground — l can
get out by here —

Grace: No, Sir, go round the door — l daren’t let you this way —

John: Hollo — what’s frightened you? There’s something red upon the snow

— it looks like blood — there (gives mone[y]) You needn’t direct me
further — I’ll find my way, and solve the mystery of Thomfield [three
or four words illegible]

Enter Jane ZER

Jane: What are you doing here, Grace?

Grace: I'm going up to my own room directly — did you come here for
Master?

15 * Original hand resumes here.

TH. Paul Is Jane Eyre (I879) 363

Jane: No, why do you ask?

Grace: Nothing particular except you seemed frightened a bit ago and I thought
perhaps you wanted to talk to him about the noises. Do you bolt the
door of a night? It will be wiser to do so in case of danger — robbers
you know — though we can trust in Providence we must not dispute the
means for securing — I'm going to my own room now — Good night,
Miss — (Exit 3EL)

Jane: Can it be that meditates evil against me [sic]? I must and will speak
to Mr Rochester, or the strain will be too much for my mind — and yet

should I not bear something for his sake — I’ll try, heaven help me, I’ll

try

Enter Georgina & Eliza IEL

Georgina: By no means a lovely dinner party.

Eliza: The repast was perfect but an amount of extravagan[ce] which you
should see to if you accept Mr Rochester —

Georg: l’ll wait until he proposes, Eliza.

Eliza: He is sure to do so before our visit is [over'?]

Georg: Well, when he does I think I shall accept him — the place is desirable

and his wealth is not in Bank shares or any fiuctuatious See [S]aw fund
— you, Eliza, shall be my Secretary & Book-keepe[r].

Eliza: Provided my future husband does not object I may accept such a post
Georg: You don't mean to say —
Eliza: Anything premature — we'll not discuss it further — Jane, open the piano

— Georgina let us entice these haughty men from their wine — it will be
society for all and a saving of useless expense — (Plays).

John enters hurriedly ZEL. Seeing who is in the room he saunters careless by R as
Rochester & Broklehurst enter lEL. Eliza ceases to play as Rochester enters.

Roch: Brav[o]! that is, (entering) do not let us lose the charms of music it
— [soothes] the savage bre[ast] [Edge of page crumbled; diflicult to tell
where words may be missing]

Broklehurst (who is slightly elevated): Harmony shed[s] its soothing ray upon my
troubled hear[t] [?] I adore it — pray proceed —

Georg: Perhaps Eliza's tired —

Eliza: Spiteful! Ah, dear, you can’t play — it is a pity isn’t it ~

Georg: Thanks, dear, I‘m not fond of display or exertion — do you sing, Mr
Rochester[?]

Roch: Well, no, but our good friend will help me in the difficulty (to

Broklehurst).

364
Mr Brok:

Eliza:

Jane Eyre on Stage, 1848-1898

I do not lack the power or the will but tho’ the spirit and voice be strong
the knowledge of words and melody [are] weak yet still I will join[?]
— let us lifi our organs and exclaim altogether — Oh let us be joyful —
I will try a little air. (She sings — business ad lib.)

Jane has been sitting hidden and unobserved.

Roch:
Jane:
Roch:

Eliza:
Jane:

Jane Eyre, I missed you — play to us —

Pardon me, Sir — I was merely waiti[ng] your orders before retiring.
No, come, let your friends hear one of your qualifications for the post
you hold.

Play your scales, Jane, then —

Sir, I beg you’ll excuse my staying in this room — (Takes tray with water
bottle & glass on R)

John is R. Screams of laughter from L. All turn — John, who has been watching
opportunity, pours contents ofphial in water bottle.

Georg:
Eliza:
Roch:

How dreadful — I feel quite frightened!

I cannot remain here, Georgi, let us say Good night —

Ladies — sorry to lose your society — but you are perhaps tired with
travelling — these sounds disturb you — \you/ will not hear the[m]
tomorrow — the cause shall be removed — Good night —

Exeunt Georg & Eliz after business

Mr Brok:

Roch:
John:

Roch:
John (aside):
Jane:
Roch:

Now we are deserted indeed — no mo[re] shall the children of Judea
sing — then what are we to do —

I have important letters to read and ans[wer.]

What — the packet you received today[?] By the Bye, where’s your
friend Ma[son?]

He's gone.

Yes, but not far.

Here is the packet you gave me to mind.

Take charge of it (to [Jane]). I shall sit here and read my letters, so
excuse me for at least the present —I will perhaps join you in the billiard
room — if not, Good night — to morrow morning I will prove a [b]etter
[h]ost.

Jane strikes bell. Robert enters [and] puts out light.

Roch:
Mr Brok:
John:

I shall go to bed. (Goes up [to] arm chair)

Don’t apologize — I shall not play billiards —

You should as a commercial of the Church on the Green as well as
black cloth there’s cannons to be made such things is Flukes and double
pockets while sinecures we call the rest [sic].

71H. Paul is Jane Eyre (1879) 365

Mr Brok: I don’t understand the game — Good night.

(Robert shews [him] 0fl'2LE)

John: Well, good night — l’ll not intrude on your correspondence — I am sure
it’s urgent — and to you, cousin Jane, Good night — I am glad you have
so good and kind [a] master.

(Exit ZEL. Rochester follow[s] & closes door.)

Roch: Jane, for the love of heaven give me a glass of water or as the play is
finished the actor faints — (Jane gives him water — he drinks & sinks
into arm chair LC)

Roch: Jane, you appear to me tonight like the quiet good fairy in humble guise
I saw first in the lane — I had no presentiment then my genius for good or
evil stood before me — it was so — would to heaven l had d[i]ed then!

Jane: If the past is painful, Sir, why think of it - (Snow comes) I will leave
you, Sir — Good night! (Taking candle Exit Jane LER)

Rochester; who has followed her; leans wearily by it then with an efi'ort locks door:
Only lamp burns. Stage dark.

Roch: Safer for you, Jane Eyre. I wish I could [stamp?] out from your life
all fiirther misery and trouble — (sits) - l am strangely sleepy — I must
not stay here or doze — Jane — l love you with love as strong as you are
pure and good — my own own wife —

Maniac appears at window — hair showing — she plays with falling snow — looks
in — falls along window — at last gets on sill or parapet. Window C flies open — she
crouches, then enters — looks about — at last sees knife — the brightness attracts — she
holds [it] in light by open window — feeling the cold — moves away goes to fire — still
holding knife, takes half-burnt stick — tosses it about as a child would — she gets near
curtains where Rochester sleeps — [brjand starts into a flame — she yells out with
delight —

Act III
Scene 1

Exterior of Thornfield House. Built out L — Balcony — Steps return pce 3EL. Backing
Landscape — Church in distance R.

Mason discovered looking up at house

Mason: No signs of any one about — I’m afraid to ring — she might hear my voice
and break out again — besides Rochester might suspect me — Oh! how I
wish I had never seen John Reed — since that fearful night he has held
me completely in his power and swayed my every act — if I only had
nerve enough to leave here for ever, and make my escape from the man

366

Jane Eyre on Stage, 1848-1898

who is leading me hour by hour into greater danger. Once away I can
make terms with Rochester - he has always treated me liberally. I will
— I’ll go — he shall tempt me no more — (ls going R — met by John)

Mason (aside): Too late.

John:
Mason:
[John:]

Mason:
John:

Mason:
John:
Mason:

John:
Mason:

John:

Mason:
John:

Enter Robert
John:
Robert:
John:
Robert:

Mason:

John:

Mason:

No reply as yet to our letter?

I don’t know — I have not seen anyone — besides it’s your letter.
Miserable fool. What are you afraid of? Haven’t we got this man in our
power to increase the value of the secret we possess? I have waited until
today — and do you think he'll defy us now and run the risk of exposure
on this his wedding day for the sake of the paltry sum we ask -

But he does not know or suspect that —

You would turn against him - I thought you said he knew you — so why
not eh?

Because he has always treated me well and kindly, helped rne no end
of times - while you —

Yes, me — see what I’ve done for you!

Brought me lower than ever cve[r] I imagined I could be.

How so?

A weak and vacillating man with fortune at his command beca[m]e a
fit prey for you and when driven by desperation and poverty he forgot
the ties of gratitude and betraye[d] a noble and generous man.

That’s a very pretty sentiment but I’ve no fine feelings — so I'll ring
the bell — and get the answer to our letter — I say ours because you are
the ‘proof’ — failing that cursed packet I fall back on you —I don't seek
‘War to the knife’ — I'll sink all revenge for the sake of a lump sum
down — why man — what do you fear, keep up — in a few hours you will
be well reconciled to your own fortune — let the devil take every body
else’s.

Well, if he will agree to anything like your — I mean our terms —
Never fear — here goes to prove it! (Rings bell)

Mr Rochester?
What name, Sir?
John Reed —

Oh, you left the letter last night - there is no answer and here is your
letter — (Closes door)

There — I knew it — his indomita[ble] will and nerve of iron you will
ne[ver] conquer or shake.

That[‘s?] my work — if I fail I’ll call on you — at least we shall thwart
his intention and mar his happiness — to say nothing of the revenge I
shall have on my cousin Jane Eyre.

Your satisfaction is good for yourself but it won’t pay the hotel bill here
— what am I to do?

John:

Exit Mason R

John:

Grace:
John:
Grace:
John:

Grace:

Grace:
John:

TH. Paulls Jane Eyre (1879) 367
Why get out — don’t go far in case you are wanted — Go! (Shout[s?])

Fool! he can't think what it is to be a broken man as I am — l’ve treasured
the thought that will stand me in good stead today — now then find the
marketa[ble] price — is going up — (Grace at door).

Your business Sir?

Mr Rochester.

l-Ie can‘t see you.

Won’t, you mean — well, I'll wait here — he’s bound to pass this way to
the church[.]

But surely on a day like this you’[ll] not trouble him? Won’t l tho’
— he’ll see!

Your sisters are here — do you wish to see them?

Yes, I do, so tell them - their affectionate brother waits for an interview.
(Grace goes in leaving door open.) Just as well — I might get a trifle out
of them to keep me going altho’ the big thing may come off yet.

Georgina & Eliza — from house on steps

Georg:
Eliza:
John:
Georg:

Eliza:

John:

Georg:
Eliza:
John:
Georg:
John:

We heard you were here.

So we came to enquire what you wanted.

Can't you guess — money.

I can't supply you. I have none — if I had l should not be here [to see?]
Jane Eyre married to —

The man you though[t] safe for yourself — never mind — of course the
money [is?] a loss and we suffer by this besides since [now?] we have
been impoverishe[d] so much that we could not with wisdo[m] refuse
the invite to our relative[‘s] weddin[g].

Well if there’s anything to be got out [illegible] you’ll have but to the
[sic]. Can either of you help me — come exercise your sisterly love.

I have some — I mean money and that’s all you want -

Why not be careful, John — I can only give you advice —

To the devil - (Eliza screams).

I have done with you for ever! (E[xir] in[to] house)
Always selfish —

Enter Broklehurst from house
Broklehurst: l heard you were here, dear Miss Reed[.]

Eliza:

Mr Bmk:
John:

Yes, I was summoned to a most painful interview - l couldn’t discuss
it now, I only say ‘Bro[ther] John I've done with you for ever’!

(Exit into house)
What can be the meaning?
Well — that she is turning against [me] so I suppose we had better go [!]

368

Mr Brok:

John:

Mr Brok:

John:

Mr Brok:

John:

Jane Eyre on Stage, 1848-1898

I am respected and invited to the wedding — you my friend are as a

Black Sheep — you have called the wolf and provoked in the shape of

the animal of annoyance you ask for help - why not help the friend
9

I would if l could escape with impunity like you’ve done.

Severity — severity - severity. As [blank] I will entice him from here

- let us take a stroll —

A drink you mean — I’m staying at the ‘Bee’.

Dear John, you may drive forty horses to the pond but not one will

drink — but still on certain occasions the animals will not be obstinate

— let us seek the [blank] and try the milk —

And Rum! (Exeunt R)

Church bells heard — Rochester enters from house.

Roch:

At last my dream of happiness is realized — in a few hours l’ll be far
away with all l love and value on earth and so at last burst the bond
of misery that binds to the place — the bells ring out then to your peal
which sends me echo in my heart of future hope and happiness [sic].

Enter Jane Eyre, Georgina & Eliza

Children from R then flowers. Villagers enter R. Cheer — Broklehurst hastens t0 help
ladies down steps of house.

Roch:
Jane:

Roch:

John:
Roch:

John:
Roch:

Jane:
John:

See, Jane, your fiiends of former days have not forgotten you —

Their presence and humble offering indeed make me happy — but another
instance of your thought and love -

The same that shall encompass thee through life — now friend[s] to the
Church ~ (Enter John R followe[d] by Mason)

Stop —

At whose command?

At mine (aside to Rochester; who has seen Mason): — It is not too l[ate]
[this is the end of the line & bottom of the page] will you the money.
To be your victim — Never!

Rochester, what does this mean‘?

He can't answer so I will - if he marries you it is not legal!

All (general movement): Why?

John:

All:
John:

He has a wife already — now, Mr Mason, it’s your turn — (Screams. To
Mason): If you are silent your sister the Maniac proclaims her right!
His sister!

Yes and his wife —

TH. Paulfs Jane Eyre (I879) 369

Maniac appears at open window — Grace rushes from house

Grace (to Rochester): She has \escaped and/ fastened the door of the passage that leads
to her cell — the place is in flames and I cannot get near her —

Flames burst out — Maniac on parapet

Roch: What can I do?
Jane: Do? Why, your duty — save your wife!

Rochester makes movement to her — she draws back and points at Maniac. Business
until Rochester rushes out of house — figure falls —from return pce.

Scene 2
Front Chamber — Broklehurst supporting Eliza

Bmklehurst: Lean on me — you need support indeed at this trying moment — droop
not my lilly — you Broklehurst —

Eliza: Oh!
Mr Brok: No — be Mrs Broklehurst!
Eliza: At such a moment —

Mr Brok: That is why I avail myself of it, that I may point a moral and ado[m
a] tale — Eliza, l am no more decep[5 or 6 characters] dwelleth not
here - (Strikes breast) — When first my eye fell upon thee l wa[5 or 6
characters] resolve at least to try to win the priz[5 or 6 characters] tell
me may l call you min[e] and extend my School —

Eliza: Oh! how can you talk to me so — l don’t dislike it — but the terrible
example we have just seen and loo[k] at the waste of money — the
breakfas[tl]

[Mr Brok:] Then fix an early date it may do for a [5 or 6 characters] to regale our

friends with —

Eliza: l can’t refuse you — but not a word before Georgina yet —

Mr Brok: I’ll not breathe a syllable until our happiness is confirmed — (about to
embrace)

[Eliza-j Don’t! Oh here comes Georgina!

Enter Georgina L

Georg: A lucky escape indeed for me — but if l had been his victim the law
should have punished him —

Mr Brok: He is a wolf with a raging tooth seeking to devour the young lamb —

Georg: I have no sympathy for the young lamb as you call her —

Eliza: An artful designing cat —

Mr Brok: Quite so — the simile is perfect.

370

Georg:
Eliza:

Jane Eyre on Stage, 1848-1898

I shall pack up and leave at onc[e.]
It will never do to stay, altho’ it’s a sad waste of money —

Enter Grace L

Georg:

Eliza:
Grace:

Georg:

Eliza:

Mr Brok:

Grace:

Acquaint your master that I cannot remain here after these terrible
disclosures —
That we regret coming —
The doctor is with him now in the drawing-room — master was taken
there and must not be moved yet — as you will have to pass through
may I ask you to delay your departure until we can get Mr Rochester
to his room —
Decidedly not. I’ll not remain here a moment more than is absolutely
necessary for my own comfort —
I quite agree with you, sister — the dreadful place might corrup[t] any
of us —
Then let us depart — for fear of contamination — for though my friend
we have our armour buckled on we may fall beneath temptation. Let
us gird up our loins and pack our portmanteaus — come — I will lead
the way. And, my good woman, if you have any regard for yourself,
you will not remain here — come my friends - (Exeunt L)
Indeed — well, as my patient is dead, my work is over, yet still I’II stay
to help if possible the man who now is blind and helpless —

(Exit R)

Scene 3

Chamber same as Act II

Rochester seated in chair: Jane standing at door dressed as in firs[ t] Act.

[Roch : ]

Roch:

Jane:
Roch:

Jane:

Jane — Jane — what, gone from m[e?] Then I am indeed alone and
helpless, the light of my soul lost to me for, what matters then them“
power of night — since she has lett me life is dark indeed. (Sinks back.
Jane hands him a glass of water.)

This is not Grace nor — no, no, I cannot be mistaken — speak to me or
I shall go mad! tell me I am not dreami[ngl] Is it? Is it? Jane —

Yes, Sir.

And by now l should have called you Wife — my dream of happiness
IS over.

Thank heaven the waking came to save you from crime — bless and
forgive me. I do those whose vengeance spared us both from sin and
shame.

16 * New hand begins here.

Roch:
Jane:

Roch:

Jane:
Roch:
Jane:

Roch:
Jane:

Grace:
Roch:

Enter Mason

Roch:
Mason:

TIH. Pauli; Jane Eyre (1879) 371

Do you turn from me, Jane?

No, Sir, never in heart, but respect to the dead as well as duty to myself
makes me say farewell.

Respect and duty — cold words compared with love and worship — listen
to me — hear my story, if not to forgive, at least to pity me — my father[‘s]
idol was gold and for me, his second son, he arranged a marriage with
the daughter of a wealthy Indian merchant — I did not oppose his will
and before I was two and twenty I found myself cursed with a wife in
whom there was the taint of madness. For years I kept the secret of my
misery but at last her conduct and violence through her own excess
became dangerous — by the death of my father and brother, l succeeded
to Thomfield. I lefi India and returned to England, bringing with me
the wretched woman whose existence l have since then hidden from
the world. I sought by travel and dissipation to kill the horrors of my
home while my heart was yearning for the holy love of a pure minde[d]
and honest wife.

Do not speak farther I implore — I both pity and forgive you.

Then why withhold your love from me — let the world and society say
and think what it may — can you not defy them and give your life and
happiness to me?

Master — friend — husband — for so by the right of our love you are — do
not tempt me to what in afler years even you might condemn.

Then you’ll leave me here to die uncared for and alone.

No, no, I cannot bear to hear you talk so — do not think lightly of me if
I cast aside all womanly reason and tell you, as I do, my love for you
is unchanged and as great as ever — the world say what it may I will
not — cannot desert [you.]

Mr Mason wishes to see you, Sir - may he come in?

Yes.

Let him speak quickly and be gone.

I am here to make the only restitution in my power. Here is a letter for
Jane Eyre. I know by its contents its value and importance. (Jane takes
letter.)

[Jane:] It bears a date of more than two years ago.

Mason:

Enter John

John:

Yes — has been kept back by your Aunt that you might never know the
wealth your Uncle had lefi you.

You miserable thief — you have robbed me — give me back those papers
or l’ll —

372 Jane Eyre on Stage. 1848-1898

Mason: It is too late to threaten — she knows her good fortu[ne] and can defy
you — as I do!

John: What — you dare —

Mason: Yes! Weak and false as I’ve been, I have at last had the resolution to

do an act of right and justice and save you from further crime —
[Enter Mr Broklehurst]

Mr Brok: I am pained to be the bearer of sad and sorrowful news but this is a
v[a]l[e] of tears — John Reed, your mother’s dea[d] and your sisters are
poor now, as you are.

Jane business

John: Dead!

Mr Brok: Alas, yes. Flesh is grass/ Grass is clay / We’re here sometime / Then
called away. I will see them to the coach and then depart on my way
— they are here!

Enter Georgina & Eliza

Jane: Cousins, I am sorry for your loss.

Georg: What — is it possible?

Eliza: And can you condole with us?

Jane: And willing to help you — you look incredulous. I have the power — this

letter informs me l am rich and you both shall share my property!
Georg & Eliza: Cousin Jane!
Jane: Not a word — forget the past as I forgive it. (Movement [as] John Reed
goes toward door) Stay, John Reed, you need help to save you from your
worst enemy — yourself. Will you not speak to him? (To Rochester)

Roch: Say and do as you will — I’ll not mar your angel[ic] work by word or
deed.

John: Coals of fire - may time prove their worth and my repentence to be
true.

Jane: And to that same future do we all look for hope and happiness — while

memory leads us back with tend[er] care to thoughts we love and cherish
may all pas[t] wrongs and evils be forgotten and cloud no more the life
and joy of Jane Eyre.

