. He's not in business," said Isabel. "He's not rich; he's not known for anything in particular."
She disliked Mr. Goodwood's questions, but she said to herself that she owed it to him to satisfy him as far as possible. The satisfaction poor Caspar exhibited was, however, small; he sat very upright, gazing at her. "Where does he come from? Where does he belong?"
She had never been so little pleased with the way he said "belawng." "He comes from nowhere. He has spent most of his life in Italy."
"You said in your letter he was American. Hasn't he a native place?"
"Yes, but he has forgotten it. He left it as a small boy."
"Has he never gone back?"
"Why should he go back?" Isabel asked, flushing all defensively. "He has no profession."
"He might have gone back for his pleasure. Doesn't he like the United States?"
"He doesn't know them. Then he's very quiet and very simple—he contents himself with Italy."
"With Italy and with you," said Mr. Goodwood with gloomy plainness and no appearance of trying to make an epigram. "What has he ever done?" he added abruptly.
"That I should marry him? Nothing at all," Isabel replied while her patience helped itself by turning a little to hardness. "If he had done great things would you forgive me any better? Give me up, Mr. Goodwood; I'm marrying a perfect nonentity. Don't try to take an interest in him. You can't."
"I can't appreciate him; that's what you mean. And you don't mean in the least that he's a perfect nonentity. You think he's grand, you think he's great, though no one else thinks so."
Isabel's colour deepened; she felt this really acute of her companion, and it was certainly a proof of the aid that passion might render perceptions she had never taken for fine. "Why do you always comeback to what others think? I can't discuss Mr. Osmond with you."
"Of course not," said Caspar reasonably. And he sat there with his air of stiff helplessness, as if not only this were true, but there were nothing else that they might discuss.
"You see how
