 eight years ago, the popular writer of fiction was a man, the most probable of whose numerous romances was one in which the hero sold his shadow to a demon over the dice-box; then married an unknown woman in a churchyard; afterwards wedded a river nymph; and, having committed bigamy, finally stabbed himself, to enable his first wife to marry his own father. He and his works are quite obsolete; and the star of his genius, with those of many others, has paled before the superior brilliancy of that literary comet, Mr. von Chronicle. According to von Chronicle, we have all, for a long time, been under a mistake. We have ever considered that the first point to be studied in novel writing is character: miserable error! It is costume. Variety of incident, novelty, and nice discrimination of character; interest of story, and all those points which we have hitherto looked upon as necessary qualities of a fine novel, vanish before the superior attractions of variety of dresses, exquisite descriptions of the cloak of a signer, or the trunk-hose of a serving man.
"Amuse yourself while you are at Reisenburg by turning over some volumes which every one is reading; von Chronicle's last great historical novel. The subject is a magnificent one, Rienzi; yet it is strange that the hero only appears in the first and the last scenes. You look astonished. Ah! I see you are not a great historical novelist. You forget the effect which is produced by the contrast of the costume of Master Nicholas, the notary in the quarter of the Jews, and that of Rienzi, the tribune, in his robe of purple, at his coronation in the Capitol. Conceive the effect, the contrast. With that coronation von Chronicle's novel terminates; for, as he well observes, after that, what is there in the career of Rienzi which would afford matter for the novelist? Nothing! All that afterwards occurs is a mere contest of passions and a development of character; but where is a procession, a triumph, or a marriage?
"One of von Chronicle's great characters in this novel is a Cardinal. It was only last night that I was fortunate enough to have the beauties of the work pointed out to me by the author himself. He entreated, and gained my permission to read to me what he himself considered 'the great scene.' I settled myself in my chair, took out my handkerchief, and prepared my mind for the worst. While I was anticipating the terrors of a heroine
