 in the choir? This question was the Alpha and Omega of ail that concerned him.

It was asked everywhere and by everybody; but no one could answer it save the dean, who was not to be approached upon the subject. Finally, however, people grew tired of forming conjectures which were neither denied nor affirmed, and, becoming accustomed to the Tenor's presence amongst them, they ceased as a regular thing to discuss his affairs.

But this was not the case until a story had been circulated about him which was generally believed, although nobody knew from whence it emanated. He was, according to the story, the illegitimate son of an actress, and some great—in-the-sense-of-having-a-title—man, from whom he inherited his aristocratic appearance and a small income. His mother, it was said, had been an opera singer, which accounted for his voice; and shame, they declared, on the discovery of his birth, had driven him into his present retirement, and caused him to renounce the world. As this story accounted in the most satisfactory manner for all that was strange about him, it was regarded in every respect as authentic; and, after the wickedness of titled men and the frailty of acting women had been freely commented upon with much sage shaking of the head, as if only titled men were wicked and acting women frail, and Morningquest itself was a saintly city, innocent of any deed not strictly in accordance with its word, the matter was allowed to drop, and the Tenor was left to "gang his ain gait," which he would have done in any case, probably, but which he continued to do in a quiet, earnest, regular way that won him a friendly feeling from most men, and more than his share of sympathy and attention from the good women who had not self-love enough to be wounded by his indifference. Unsophisticated little maidens, just budding into womanhood, would peep after him shyly from the old-fashioned houses sometimes, and would feel in their tender little hearts a gentle pity for one who was so handsome and so unfortunate. Like the true hero of romance, he was believed by them to be supremely unhappy, and all they asked was to be allowed to comfort him; but he noticed none of them. And so the little maidens blushed at first for having thought of him at all, and then forgot him for somebody else; or, if the somebody else did not come quickly, they began to regard the Tenor with a totally different feeling—almost as if he had
