 matter whether she is good-looking or not. As to your really marrying a woman for love, I don't believe you are fool enough for that.'

'Oh, Madeline!' cried her sister.

'And oh, Charlotte!' said the other.

'You don't mean to say that no man can love a woman unless he is a fool?'

'I mean very much the same thing,—that any man who is willing to sacrifice his interest to get possession of a pretty face is a fool. Pretty faces are to be had cheaper than that. I hate your mawkish sentimentality, Lotte. You know as well as I do in what way husbands and wives generally live together; you know how far the warmth of conjugal affection can withstand the trial of a bad dinner, of a rainy day, or of the least privation which poverty brings with it; you know what freedom a man claims for himself, what slavery he would exact from his wife if he could! And you know also how wives generally obey. Marriage means tyranny on one side and deceit on the other. I say that a man is a fool to sacrifice his interests for such a bargain. A woman, too generally, has no other way of living.'

'But Bertie has no other way of living,' said Charlotte.

'Then, in God's name, let him marry Mrs Bold,' said Madeline. And so it was settled between them.

But let the gentle-hearted reader be under no apprehension whatsoever. It is not destined that Eleanor shall marry Mr Slope or Bertie Stanhope. And here, perhaps, it may be allowed to the novelist to explain his views on a very important point in the art of telling tales. He ventures to reprobate that system which goes so far to violate all proper confidence between the author and his readers, by maintaining nearly to the end of the third volume a mystery as to the fate of their favourite personage. Nay, more, and worse than this, is too frequently done. Have not often the profoundest efforts of genius been used to baffle the aspirations of the reader, to raise false hopes and false fears, and to give rise to expectations which are never realised? Are not promises all but made of delightful horrors, in lieu of which the writer produces nothing but commonplace realities in his final chapter? And is there not a species of deceit in this to which the honesty of the present age should lend no countenance?

And what can be the worth of that solicitude which a peep
